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The Duke and Duchess of Windsor Collection

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From the Sotheby's Catalogue 1997

I've been on a bit of a kick with the Duke and Duchess of Windsor's collection this year (Wallis Simpson and King Edward VIII). Earlier this year I bought a secondhand copy of the Sotheby's Catalogue from the sale of their possessions at auction in 1997, and which makes for fascinating browsing. This then lead to me purchasing a secondhand copy of an out of print book "The Windsor Style" by Suzy Menkes, as it was quoted so heavily in the text of the catalogue and it intrigued me with the peculiar tidbits of information that had been dropped... and all of this was as a precursor to a date I had written in my diary at the start of the year to attend a talk held by ADFAS (Australian Decorative and Fine Arts Society) given by Adrian Dickens of Circa AD Jewels on this topic last week.

Sotheby's catalogues from 1997

The Windsors were certainly the very definition of an Odd couple. Both were style icons, who have had an enduring influence on fashion (particularly the Duke, who innovated menswear to a look we currently recognise, popularising tartan trousers in the US, unusual fabric and outfit combinations of checks, plaids and tweeds, and the great coat and modern suit styles still worn by men working in professional jobs all over the world), and both devoted their lives to their appearance.

The Duke's wardrobe, photograph from the Sotheby's Catalogue 1997

In a way, they were the Pop culture icons of their time (although the twice divorced Duchess was not exactly popular with the general public), celebrated for their fashionable lives.

At their country house, the Duke in full Tartan suit, from "The Windsor Style"

They assembled an enormous collection of the finest quality jewellery, couture clothing and accessories, china, art, household linens, first edition leather bound books, furniture, bibelots and trinkets. Their lives were lived in as painfully stylish a way possible, all designed to give the impression of the royal King in exile, to reiterate a status that he no longer had. In some ways this was a millstone for the Duchess - certainly evidence suggests that she did not want to become his wife, preferring instead to be his mistress (which had a status of its own at that time amongst the aristocracy) - she listened to the abdication speech on the radio reportedly from under a blanket moaning in distress. She knew that her life's work would now be to make this sacrifice worth it to him, to ensure that the Duke still felt important, and to this end she pursued perfection in all physical facets of their lives to provide a polished image to the world and to give him the Kingly status he now lacked.

French antiques in Paris via "The Windsor Style"

They were pioneers of mixing High and Low in their lives, at a time when you didn't celebrate your abilities to do so. After their death and the dispersal of their collection, it was found that 70% of the "antique" furniture in their house in Paris was in fact reproduction, purchased from a French department store. The other 30% was real, but comprised mainly Chinese antiques and country antiques, which were inexpensive at the time, but gave an aura of authenticity to their other pieces. The small collection of very fine French furniture eventually was donated to the Louvre after the Duke's death. The replica furniture was offset by (real) Art and the ephemera taken from the Duke's short lived period as King of England, scattered around prominently. The leather bound books on the shelf, unread by them, were there for show too, and everything that could possibly be monogrammed and emblazoned with their insignia (a combination of WE for Wallis and Edward with a coronet above to denote royal status) was stamped in order to denote a royal status that Wallis was never given (she was never given the title Her Royal Highness, which rankled with the Duke, and which he felt a personal slight from his brother, the new King).

Table setting with monogrammed glasses, Royal Copenhagen assembled china service circa 1880, English silver flatware circa 1932 with monogram, and Porthault 1950's appliqued place mats and napkins via Sotheby's Catalogue 1997

The mix of high/ low continued in many facets of their lives - the Duchess was very fond of costume jewellery (as well as her very expensive Cartier pieces) and helped to popularise it during the 1950's. All of her costume Jewels were given specially made leather cases with the monogram on them too. When worn with her couture clothing, Roger Vivier shoes, and monogrammed crocodile handbags the overall effect was stylish perfection. Monograms were on her handkerchiefs (made from the finest linen) and even the bust of her hand embroidered silk and lace nightgowns. You could say the diminishing of their Royal status led to an obsession with achieving it. The Duke was known to tell people that he was one of only 3 actual blood Royals alive - that Queen Elizabeth II was only half Royal as her mother was aristocratic, but not Royal herself.

The Duke's bedroom with royal ephemera including the Order of the Garter and his royal insignia from his time as King via Sotheby's Catalogue 1997. Next to his bed he kept his childhood nursery toys, which would be packed when he travelled by his Valet.

They lived a vacuous life - they performed no charity work and made no donations, chaired no foundations, held no office or job (aside from a brief period as Governor General of the Bahamas - a role designed to get them out of the way and kept busy during WW2 when their fascist sympathies created enormous problems for the English. The Bahamas were then an unfashionable backwater far from the theatre of War). They didn't read, attend Opera or concerts or pursue any other cultural pursuits.

lined up and waiting...staff in full livery from "The Windsor Style"

Their household staff of 28 (18  indoors)  meant that they never lifted a finger in their homes, and those 28 staff were kept busy looking after the two of them by doing things such as ironing the Duchess' sheets twice a day (she could not abide wrinkled linen). "It was the only household where the water in the vases was always crystal clear" said the Baronness de Cabrol. To fill in the long days, the Windsor's lives were devoted to fittings for clothing, posing for carefully staged propaganda style photographs, going out or entertaining at home for dinner and dancing until very late at night, every night of the week, and going away on holidays or to their country house where the Duke enjoyed gardening, one of his few hobbies (Wallis did not like the country). They were both incredibly vain - Wallis could spend 9 hours choosing one hat "Her life's work was shopping" as The Duchess of Marlborough commented. Photographs were touched up in post production to erase wrinkles, and Wallis underwent a relatively unsuccessful early face lift and devoted hours to her hair and makeup routine each day.

airbrushing out the wrinkles including the "Frown that Cleaves her forehead ('as though she'd been hit by an axe' says Anne Slater)" her friend via "The Windsor Style"

So what is it about them that has meant that they are still talked about so many years later? In a way, they were the equivalent to today's reality TV stars. A dramatic family dispute and explosive scandal, and then the theatre of their life: vacuous, boring, lacking direction and industry and completely excessive - played out on a self publicised and perfectly managed stage set. The sale of their collection in 1997 has meant that they have achieved notoriety and fame through their legacy of the one thing that they devoted themselves to passionately: their appearances and their things.


The Windsor Style is definitely worth hunting down if you are interested in reading more about them - filled with all sorts of interesting tidbits on their life, their style, their influence on fashion and Interiors, and their collections. The talk I attended was an excellent overview of a strangely fascinating couple. Their contribution to society in a meaningful way never eventuated - they celebrated the surface, and perhaps, in always striving to be ahead of the times, they managed to be the icons and precursor to our modern scourge - the celebration of the individual, the celebration of style over substance.

Chintz

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bedroom by Nicky Haslam

"Chuck out the Chintz" the British were told in the 1990's by an award winning IKEA advertisement. Chintz has been unequivocally associated with traditional English Country House style decorating for over 150 years. The attempt by IKEA to move the British out of the traditional country house zone and into modern Scandinavian design was by denigrating a very old, and very traditional fabric choice. Chintz itself originally came from India, and was exported around the world from the 1650's. Eventually it was banned in France, aside from being able to be worn inside the French court, which of course only increased its fashionability. When the ban was lifted Chintz was used not only for clothing but eventually for curtains and soft furnishings, which is where you find it still used today.

Via Jean Monro

Chintz itself is any floral pattern on a white background, and by the 1800's these were glazed (initially with sugar, then with a chemical process which was used up until the 1980's when it was banned as being highly carcinogenic) to give a glossy sheen across the fabric. Many of the chintz patterns in production today stem from French documents, despite this being a quintessentially English style of decorating, but the past 15 years in decorating have not been kind - Fabric companies tend to discontinue unpopular fabrics, and as the fickle wheel of fashion turned venerable companies like Colefax and Fowler shed Chintz fabrics from their ranges, replacing them with more commercially popular alternatives. The printing of Chintz patterns onto cotton fabrics was also reduced, a softer finish on linen was preferred.

Quintessential English Country House decorating - Bowood by Colefax and Fowle

There are only so many variations on a theme however, the past 10 years of neutral colour palettes - raw linen and subtle textural contrast have left many designers yawning, and there is a renewed interest in ornamentation in fabrics. This started with the advent of digital printing (which has been the biggest change in fabrics in recent years) an conversely the swing back toward the artistry behind traditional fabric, with renewed interest in hand embroidery and Hand Blocking, and thus the resurrection of Chintz and a more traditional style of decoration.

via Jean Monro


Jean Monro is a small niche fabric company still exclusively producing Chintz in the UK, and is somewhat known amongst decorators seeking a traditional style that has been discontinued elsewhere. I still think of this company as "Mrs Monro" and this is because it used to be called that back when I worked in London 17 years ago. Mrs Monro has the distinction of being the oldest Interior Design company still in operation in England - it was started in 1926. The fabric side of the business was developed in the 1980's by the original founder's daughter. This was eventually spun off  and acquired by Turnell & Gigon in 1998 and given the slight name change to distinguish it from the Interiors business. They produce stunning designs full of blowsy flowers and foliage, mostly printed in England, and almost all hand blocked onto cotton chintz or linen. Everything old is new again, and there is a definite renewed interest in chintz, and the floral prints last seen so full blown in the 1980's.

Ham Yard Hotel - the Library featuring Jean Monro Chintz

Kit Kemp used some of Jean Monro's fabrics in her latest Ham Yard hotel, and it is the subtle hand made quality of the hand blocking that really is quite beautiful. Coupled with some of the more modern colour renditions that they've produced the designs from the 1860s look thoroughly modern.

I thought I'd leave this short video from their website for your enjoyment - it's the process that a length of fabric will go through... all 18 metres of it with the hand blocking being done. One design, Lucy's Roses, has 180 blocks applied to produce the design per pattern repeat, all done by hand by a master craftsman/woman who has completed a trade apprenticeship that lasts 7 years. As it is done by hand, there is a subtle difference to the designs produced by different hand blockers. The process has never been adequately replicated by machine. Whether or not you're ready to embrace traditional Chintz in your interior, you can admire the craft and perhaps gain more of an appreciation for the work that goes into these beautiful, textured, painterly fabrics.

   
MASTER SHORT from Doublard Design on Vimeo.

Living with History

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Martindale Hall, pictured above, is considered one of the Architectural jewels of South Australia, located near the town of Mintaro in the Clare Valley, approximately 2 hours from Adelaide. Built for the pastoralist Edmund Bowman in 1879 at great cost, it was the central property of a wool empire that stretched across South Australia. Apparently built to entice a girl he wanted to marry to leave her English family house (supposedly it was a replica), she refused to leave England for the colonies and he eventually married another, settling into his 32 room estate with attendant polo ground, cricket field and extensive stables. Just 20 years later however, a long drought and a drop in wool prices saw his empire fall, and the property was sold at a knock down price to the Mortlock family. They lived in it until the 1950's when it was bequeathed to the University of Adelaide, who in turn handed it over to the State Government of South Australia in 1986. For some years it has been open as a house museum, and up until recently was run as a historic style bed and breakfast with all the attendant comforts you'd expect from a Victorian era house with a lack of modern facilities.... Many readers both here in Australia and overseas will be familiar with the house, as it starred as the school Appleyard College in the hauntingly classic Australian movie "Picnic at Hanging Rock" released in 1976.

Picnic at Hanging Rock

All this preamble is to set the scene of the next act: A proposal has been put forward by two groups regarding the future of Martindale Hall- one a private consortium who approached the government last year to buy the property in order that they could turn it into a luxury resort/ hotel. The counter proposal has come from the National Trust, who are pressuring the Government to gift the property to them, and have put together a 'dynamic plan' to run it as a museum space with festivals in the grounds, a newly created Victorian style garden, gift shop and cafe etc - standard National Trust style stuff.



The current operators of the Hall have enlisted the support of the Actress that played Miranda in the movie to entreat the government not to turn it over to developers and "take it away from the general public" pushing for it to be handed to the Trust. This has, of course, made headlines around the country. Naturally no one wants the greedy luxury hotel developers to take away public access! We are nothing if not egalitarian in Australia. But I have to admit to having mixed feelings about having the house handed over to the Trust. Perhaps, as abhorrent as it might first sound, a luxury hotel is actually a much better idea, on a number of levels.

Still from the movie Picnic at Hanging Rock

Firstly, luxury tourism is big, big business around the world. Australia has a decided lack of it when compared to countries like neighbouring New Zealand and their Luxury Lodge tourism that draws visitors from around the world, and this prevents a coveted segment of the tourism market from coming here with all the flow on benefits that would bring to the area. Developing historic properties into Country House hotels, which have been done so successfully in the UK revitalising and giving them relevancy, would be a major tourist draw here. This property sits right in the middle of one of the best wine regions in the country with a distinct lack of luxury accommodation to draw in a big spending sector of the tourism market. We have beautiful Heritage buildings in South Australia, ironically because we have had such a protectionist view point over them - but finding one to stay in is difficult unless you look at the holiday cottage segment of the tourism market. Everything else is brand new, which is a shame when you consider that South Australia's heritage properties are one of the more recognisable and celebrated features of our State.

Miranda from Picnic at Hanging Rock

Secondly, we have a number of properties already being run by the National Trust around Adelaide and they highlight some of the problems associated with the House- as- Museum concept. If you visit a stately home in the UK, the ones that give the best experiences to the visitor are the ones that still have the family living in them. The ones that are empty, and run purely as a House Museum by the UK branch of the National Trust can feel staid and lifeless, and sometimes be presented in a manner that is a little twee ("Ye Olde Worlde"). Families and people give a house life. It is the layering of changes of fashion, of the quirks of lives lived within it that make it interesting and that tell the narrative of why the house was created and how that relates to us and to the wider world.


Here in Australia our National Trust properties are all long vacant of the families that once lived in these grand houses. I have visited Beaumont House, Ayres House, Carrick Hill and Urrbrae House here in Adelaide, and various properties in Melbourne such as Como House and Ripponlea, and they are slightly dispiriting with an overlay of the Institutional feel to them. Guides are occasionally dressed in fake period costume, partially furnished rooms are set in aspic from a time period determined as 'correct' (but not necessarily the furniture or furnishings that were in that room at that time - they are recreations) can leave me a little cold. The richness that you get from visiting a living, breathing house is not there.

This is an issue that is currently being debated at great length in the UK (see the past few issues of Country Life magazine if you are interested, and I noticed that Ben Pentreath, whose blog is on my side bar also waded into the fray on this topic on his blog a few weeks back). We haven't had a discussion in Australia as to whether these types of experiences are the best use of these properties, because generally we look at our history with a blindly protectionist viewpoint - we have so little of this kind of built Architecture, and what we have is so recent when compared to other countries, that there is a universal favouritism of keeping the old and preserving it at all costs... even when that doesn't make it dynamic or as the best use of that facility.



So, back to Martindale Hall. Some of the things that have been overlooked in the debate are that this house has not had a family living in it for 70 years, which is half the age of the property, rendering it something of a white elephant. Most of the original contents from when it was first built were sold after the Bowmans left the property in a Mortgagee sale, with only a few pieces the Mortlocks purchased still remaining. The remaining furniture in the public viewing rooms are from that Mortlock period of the house's history. Other rooms are re-creations in a Victorian style. There is no reason why a hotel with a publicly accessible aspect to it couldn't co-mingle with the historic element. There is also no reason why this property has to be sold to be developed, rather than being kept by the government. It could be on long term lease, with stringent controls over maintenance, upkeep, approvals and public access. If this were the case, then I would hope a publicly called tender would go forward, and that the selected operator and developer would be the one that would provide the best long term solution for the property, not necessarily just the person that had an idea and approached the State Government first.


Historic properties are a difficult quandary. We can all watch episodes of Downton Abbey to get a meticulously and historically accurate recreation of a period of history and the people that would have lived within that time, with actors dressed, speaking and behaving as they did then. Walking through staid room sets in an empty house being led around by someone in a costume is not necessarily going to give a better or more enriching experience. When you balance that against the drawcard of the tourism component and the revitalisation that could bring, then perhaps a hotel is not such a bad idea. The house has been run as a museum for a long time now and it is not the main reason why people visit the Clare Valley, rather a side trip for those interested in old buildings. Making a destination out of it, with the Clare as the added bonus is an idea worth pursuing. Running the property as a National Trust museum with an adventure playground will likely not see tourism numbers soar in the region.

It's an unfashionable view to put forward. Long term blog readers will know I have a love of History and Architectural History in particular, and I do support the important work of the National Trust. But we do need to question whether these Historic House Museums are a success. Ayers House, a large mansion that is in the centre of the Adelaide CBD is essentially a Wedding venue and House Museum... how many of these types of venues do we need - all stuck circa 1880, all 'teaching' us the same things. Our built history is worth preserving, but we need to do so in a way that will breath life and relevancy to these properties. Sometimes development is not necessarily such a bad thing when it is done with sensitivity, and most importantly, done well.


Gardens Ephemeral and Garden Ephemera - the garden map

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Of all the design disciplines, Landscape design is perhaps the one most easily able to be swept into the mists of time.  Aside from the planting of large, long lived trees, a garden can, in just a matter of a few years, be overtaken by neglect with the death of plants and overgrowth of others rendering a design invisible and not as the Landscape designer originally intended.




This year is a celebration of the 300 years since English landscaper Capability Brown's birth. He is often decried as a wrecker of gardens by some purists, as he was known for obliterating the elaborate knot gardens and parterres favoured in the period immediately before him and replacing them with cleverly constructed naturalistic landscapes of parkland, trees, lakes and vistas. He was also quite prolific, designing over 250 gardens in his lifetime. The fact that many of his designs survive completely intact is perhaps due to two things: large areas are left to do their own thing in the parkland style (no tedious pruning and fussy flower planting to maintain), and that his planting schemes relied on long lived trees for their Architectural structure - there is no loss of small plants gradually over a few decades to obliterate the entirety of the design.


But perhaps the best way of to take a snapshot of a moment in time in a garden is by recording it with a garden map. Anyone having a plan done for their garden today is familiar with receiving a full planting scheme on plan laid out appropriately scaled from their landscape designer. While these are purely utilitarian, they are a beginning record of a gardens planting, and the subsequent evolution thereafter. However, not all gardens were started this way, and many have no plan to refer back to.


Mid last year, I was reading Australian "Country Style" magazine, and came across an article about a Garden Map maker, Catherine O'Neill. Catherine now lives in rural Victoria, but is originally from England and studied Landscape Design at The Inchbald School of Design in London (my Alma Mater for my Interiors education).  She has now stopped the landscape side of her work and instead developed a business recording other people's gardens - completely accurately, but coloured with watercolours giving a decorative style more reminiscent of the Garden maps produced in the 18th Century than those produced by designers nowadays.

Map by Catherine O'Neill

I contacted Catherine to see if she might be available to make a map of my Father's Garden for his 70th Birthday gift. Little did I realise the Pandora's Box I was opening! I have published photographs of my Dad's garden in the past on the blog, and they make up the bulk of this post, but for those unfamiliar, it is an approximately 20 acre garden created around 1890, largely still completely intact. Most of the garden is treed (there is a large Pinetum, which has specimen trees in it, and is not a heavily cultivated style of garden), and there is a large collection of unusual Cypress, Pine, Rhododendron and Camellias.


The original Garden owners travelled extensively around the world hunting down exotic plants, bringing seeds and cuttings back from Asia, Europe, and America, as well as swapping plant seed and cuttings with other keen Garden owners at that time across Australia. Of course, if you're DIYing your garden, you don't necessarily make a map of where you're planting things - rather you most likely walk around and just set things out where you'd like them to be. For this reason there has never been a completely accurate map of the garden, and certainly no proper inventory of the trees (there are in excess of 1000 of them). The question of where to stop in terms of detail was something we had lengthy discussions about as Catherine commenced the project.



The starting point was, fortunately, an accurately surveyed map (above) with the Victorian- era circuitous paths and drives laid out on it that my Father already had. From there, satellite maps that provided further detail of canopy spread were helpful, but much of the work Catherine has done has involved mapping each garden bed, laboriously numbering each tree and larger scale understory plant, and setting them all out on her larger garden plan. My Father has spent a lot of time over the past 10 years identifying each un-labelled tree (with some help from the Adelaide and Mt Lofty Botanic Gardens, visiting Botanists and Garden History experts, and Catherine herself), and has in the process discovered plants that originate in Nepal, Mongolia, China, and very unusual Cypress not thought to be grown elsewhere in Australia. It's been quite a fascinating process.


Unfortunately, the map is not yet finished (likely early next year), so you can see it's really been quite a process.  I'm not able to post the end result in this blog post... however I thought I'd post the video Catherine has on her website showing the process of the making of one of her beautiful watercolour maps.


Late last year, Country Style magazine wrote an article about this particular garden, Glenmore (image below), so you can see how she not only accurately captures the plant locations and types, but also the overall feel of the garden, something that is not so easily conveyed in a modern, purely functional style of plan.

 Glenmore, via Country Style magazine

The feel of a garden is something we have discussed quite a bit about my Dad's and how to capture it on the map. The week that she spent here earlier this year mapping the garden not only gave her accurate plant locations, but also an understanding of the atmosphere of the garden, and it was interesting hearing her describe it in much the same way that everyone else does. It really gets under your skin and is a very special place, with an undertone of history, tranquility and a sort of quiet grandeur created by the towering trees. The tonal colours to be used for the map were also evident to her from her week spent in the garden - deep, lush green in all its verdant shades.

Three Copper Beech, planted to celebrate the birth of the three grand-children of the original garden owner

A garden can disappear in just a few years - something I was reflecting on when reading a book about The Lost Gardens of Helligan earlier this year. It's a special thing when a garden can last beyond the vision of the first creator. Perhaps trees are largely the key to this. They certainly outlive us, and the ones in my Father's garden provide a memorial of sorts to the people who laid out, tended and loved the garden 120 years before us. Recording a snapshot of the garden at this point for posterity seems like the perfect way to honour the special place they created and the legacy they left behind.

Here, there and everywhere

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I feel like I've barely sat still the past couple of months. We've had three weeks of school holidays (always a winner during Winter- it has rained to the point of needing to build an ark), and a couple of extra side trips have seen the AV house empty more often than full.

But I thought I'd not bore everyone with blow by blow descriptions of our family ski holiday (surely this is the modern day equivalent of the slide show?) and some of the other trips here and there we've done, but instead highlight a couple.

 Ginger Jars at Decor + Design

Last week was the Decor and Design trade show in Melbourne. Romy and I had decided earlier this year we were going to attend - I haven't been to a trade show since leaving Melbourne in 2010... so I felt it was overdue. We flew in from our respective cities and met at the airport, where we laughed at the drivers holding up iPads that said "Uber available" (why yes, random man, I will get into your car because you say you're an Uber driver...) and joined the taxi queue whereupon after a bizarre ride into the city with a - literally- deranged driver with appalling body odour (it'll be Uber only after this - suddenly those guys at the airport didn't look so creepy), we did a quick whip around the D+D show at the Convention centre with Romy's friend Jane who was already in attendance. Frankly, the best part of the show was the champagne bar and people watching (it's always fun watching the other designers all dressed up and guessing where they're from - there are strong regional 'looks' in design). While I got to visit a few of my suppliers stands, and also found a couple of new sources... overall it was pretty dreadful.


Nothing better than a convention centre full of Chinese made pleather recliner lounge suites with built in cup holders and pouches for your remote. Apparently you can replace entire sections of the lounge when the pleather is scratched up. 

But all was not lost! Thursday night we met up at the new Garden State Hotel in Flinders Lane in the city. Single ladies of Melbourne - If you're looking for a place where the ratio of men aged over 30 in dark suits is about 10 to every 1 female, this is the place for you at 7pm on a Thursday. It was absolutely pumping (seats 850, but doesn't feel overly cavernous due to the design) and was wall to wall city males. We left to eat at Supernormal, a little further down Flinders Lane (the Lobster rolls are excellent) and then to bed.


Friday morning before departing, thanks to Jane who is a nippy driver and had hired a car while in Melbourne, we whipped around the trade showrooms in High Street, Prahran East looking at all the fabrics we don't have easy access to here and stopped off at the Mossgreen tearooms in High Street Armadale for sustenance.


Their high tea looks very nice indeed (I just had scones), and the proper Wedgwood china the tea was served in was lovely. Highly recommended if you're looking for a nice place for tea or lunch that is not in the city.

sausages in bread... watching their brother.

Then it was home to man the BBQ and dole out sausages on bread at the Under 11s Football match in the freezing cold, mud and pouring rain on Friday night. A life of contrasts...


Earlier in the school holidays Mr AV and I had a child free weekend escape to the Barossa Valley. This is probably Australia's most famous food and wine region - it was settled by German Lutherans, escaping religious persecution in the 1840's, and they brought many of their food traditions with them with many of the same families still in operation today. It's only 45 minutes from Adelaide, which made it the perfect easy driving destination that feels a world away from the city.



We stayed at Kingsford Homestead in the tiny little stonemasons cottage, rather than the main house. It was perfect - incredibly quiet, very private, and had a little sitting room with open fire place that I spent a lot of time reading books in front of. Breakfast in the main house was delicious - it's a really great spot to stay and explore the Barossa from. We ate our meals out - Fino at Seppeltsfield for lunch on Friday, Ferment Asian in Tanunda on the Friday night (the wine list has to be seen to be believed - it's like the Bible!), Hentley Farm on the Saturday night for the 8 course degustation and then, as a complete contrast, we ate at The Clubhouse back in Tanunda on Sunday night, which does a pretty good pub style meal (we were all gourmet'ed out by then).

Hentley Farm - oysters with passionfruit vinaigrette and rosemary scented smoke. It covered the table at one point.

Seppeltsfield, which looks strangely South of France with the palms and French cafe furniture even when freezing cold

We visited Maggie Beer's farmhouse shop, which was jam packed with tourists (and as we can pretty much buy her entire range at the supermarket in Adelaide it wasn't really a huge draw for us), and dropped in and out of the many, many wineries in the region. My advice if you're going for the first time is to skip the really big names (the Jacob's Creeks etc) as they have very large visitor centres, many of which are a little dated and cater for the large bus tourist segment of the market. The smaller, more authentic experiences are in the little places where the staff are passionate about wine, and will happily chat with you about technique, blends and other little gems of information. We did enjoy visiting Seppeltsfield though - it is one of the bigger wineries, but has an outpost of the Jam Factory (the famous Adelaide craft collective), and an excellent restaurant in Fino. Mr AV made the observation that the large Alcohol conglomerates that went on purchasing sprees a decade or so ago buying up the 'big name' wineries didn't take into account that as soon as they bought them they devalued the brands as they lost the x-factor of the family heritage that gave them worth. It's all about heritage and authenticity in the Barossa, and the family run wineries are the ones still making waves.


We loved visiting the Barossa - very beautiful scenery and enjoyable driving through the hills and valleys along little winding roads. The tiny old stone settlers cottages, rustic split gum fencing and paddocks full of vines. It was a great escape and we drove home to collect the children on the Monday with a car boot full of wine to add to our cellar.

Inside Rockford's
Outside Rockford's

Back home, we're in the depths of Winter - pouring rain, cold and a fairly bare looking garden. Hope you're warm whatever part of the world you're reading from.

Autumn and Winter Gardening

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I was meaning to do a post on Autumn in my garden... but then things got away from me and the photos languished. Having spent most of this past weekend in the garden, I thought I'd take photos of it in its current, skeletal and dormant Winter state... and record it for posterity before Spring hits in just a few short weeks.


So rewinding to Autumn, here is the back corner of the garden in the late afternoon sun, the Manchurian pears were starting to colour up and the perennial grasses were in their full glory waving gently in the wind before being cut back for Winter.


I love the textural contrast between the pencil pines and the grasses


The back veranda with Wisteria starting to get going across the wires on the posts, and another Perennial grass with Westringia balls beside it.



This was a few weeks later as the Forest Pansy in the back corner started to clothe itself in bright buttery yellow. 


It's full of buds now, and about to burst into tiny pink flowers - this was it last Spring.


 Truly the ornamental tree that keeps giving - I love how the heart shaped leaves change colour throughout Summer from dark Burgundy to green.

Early Summer last year



My roses along the Petanque court in Autumn, above, which I'd transplanted from the front garden. These are mainly David Austin's Heritage. Mixed in are bearded irises and ratty looking lambs ears (caterpillars galore) 


 The last of the Sweet Peas in Autumn, which I grew from Seed from the Diggers Club. They were white and looked as if the ruffled edges had been dipped in the palest of lilac watercolour paints. Sweet Peas remind me of my mother - she always grew them in her garden, and we'd have huge bunches inside when I was a child.


One of the project we've had done in the garden was fixing up the last of the front garden projects. When we finished the extension there was a small section of garden that was uncultivated (above) outside the children's Playroom windows. It had a Crabapple that we'd planted around 5 years ago, but aside from that I ignored it - it also had the Plant (as I call it), which contains the air conditioning units, the boiler, the hot water storage, the water softener, and the watering system control pad. None of it attractive, and it was all full of weeds.


 Finally we finished it off by paving with bluestone around the crabapple. This is sloped away from the house, and is keeping our cellar dryer (we have an original cellar, so it doesn't have a modern damp proof coursing, and when this area was unpaved and sloping toward the house, the water was draining down into the cellar keeping it fairly damp).



We also had a screen built with sliding doors for access to the plant. This is the view that my youngest child's bedroom looks out onto, so it's been much improved, and is actually a really nice area now.


I've also been busy planting more plants in the garden beds. There were some maples and camellias that I planted 5 years ago, but it's dry shade here (there is a large Liquidambar tree) and it's been tough getting other things to grow.


In the front garden I've done a big tidy up/ cut back over the past few months, and planted more things too.


Today I added some more Agave that I had left over, and added a couple more succulents which I snapped off the other plants and shoved in the soil. They'll send out roots fairly quickly as the ground is still so damp.



In the side garden it's all bare of the pear tree leaves, and the structure from the box hedges, virbunum topiary balls,  and the olive trees keeps it looking neat


Back to the back garden the structure plantings are really the only thing of interest at the moment. The hedges grew well last Summer, and they now prevent the garden from looking too bare when everything else is cut back.


I particularly like the planting up against the back veranda - the box balls, star jasmine ground cover and cycads contrast nicely to each other.


I've planted 25 more roses in my beds around the Petanque court. All David Austin, and a lot of pinks and reds- Brother Cadfael, Woolerton Old Hall, William Shakespeare, Munstead Wood... you'll be bombarded by rose photos in October, so be warned!


 And lastly, here is the Echium Giant that I grew from seed a couple of years ago. It's living up to its name and starting to put out its white flower head. I've planted a few more of these in the garden (all still babies), and can't wait to see it in all its glory (the flower head grows about 2 metres high).

In preparation for the upcoming Summer, I've finally got around to ordering the sun lounges for around the pool. I ended up, after an exhaustive search for something contemporary, but that also suited the Victorian front of our house, settling on two of these:

Costa chaise from Restoration Hardware

Now I just have to wait the 3 months until they finally arrive down here after the lengthy shipping process. But as it's still pretty cold, there won't be any Pool action for at least a few months.

Happy gardening!

Country House weekend

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Over the weekend, we visited our friends Andrew and Alice at their farm at Watervale, in the Clare Valley (about 1.5 hours from Adelaide). The Clare region is now known as a food and wine destination; it abuts the world famous Barossa Valley which I wrote about a few posts ago here. Originally though, this area was all farm country, and Alice and Andrew now run the family property (they run Merino Sheep on it), which Andrew's family have farmed since around 1860.


I've written about visiting them for lunch before on the blog, but this time we were house guests for the weekend, along with another family, the Bs and their 3 children. That brought the total number of kids to 9, and adults to 6. But while we adults were outnumbered, we had a relatively quiet time without kids in sight - they literally disappeared outside to play and only returned hours later muddy and happy to eat before disappearing again.

We did the usual things you do in the country in Winter. There was a bonfire lunch in one of the paddocks.


We ate and drank every 2 hours it seemed, Alice is pretty good at turning out gourmet fare. All of my children managed to fall in the creek and get soggy feet and muddy legs at various points.... The kids visited the litter of new puppies and collected eggs from the chooks, did some go karting up the bumpy driveway, and rode around in the back of the Ute over bumpy farm roads.

Farm dog with Ute


The modern part in the back of the house with Pierre Frey covered window seats

The house wasn't lived in for around 10 years or so before they moved in, and it was still in a sort of Victorian era time warp. A renovation completed a few years ago has created a modern, light, bright and warm living area at the back of the house, while leaving the original formal rooms at the front untouched, with all their layers of family history.



Print room

My favourite room is the room that Alice put Mr AV and I into for the night - the print room. It's like sleeping in a World of Interiors Magazine photo shoot. It seems to have been decorated around 1890, and literally every surface has been covered by carefully cut out illustrations from English periodicals of that period.




There are a lot with pictures of the future King Edward and Queen Alexandra's wedding, pictures of Queen Victoria holding various babies being christened, horses, cats in bonnets, and various other things. Apparently no one is sure which family member originally did this, but it does seem to be the Victorian equivalent of the teenage girl's bedroom plastered with pictures of teen idols all over the walls.

The Billiard Room is also interesting, full of taxidermy and old books

My 6 year old said to the other boys "Lets get out of this room - it's really creepy"

and photos of various members of the Royal Family who stayed at the house in years past when they had come out to the colonies on tours.

The Duke of Windsor, circa 1920 when he was still Prince of Wales, unattached to Wallis, and highly eligible

As with most farms these days, Alice and Andrew have diversified their operations. Most farms like this in the past were mini villages, and were heavily reliant on large numbers of servants, management staff, and labourers to keep things going. Modern farming means that Andrew now does it all himself, with a bit of help from a casual labourer. This means that there are a lot of cottages and outbuildings that are no longer inhabited. After completing the renovation of one of the old cottages, they now have a thriving business with a self contained cottage called Hughes Park Cottage. It's quite separate from the house, so totally private, and is set amongst pretty rolling hills dotted with gum trees, and at this time of the year lots of little creeks with running water.


The other thing that they've recently started doing is to hire out the gardens against the house for Wedding receptions as a venue. Having attended their wedding 10 years ago, I can attest to this being an excellent venue for a memorable wedding with the marquee set up on the grassed terraces to the front of the house - the views are so pretty across the hills, and the house makes a stunning and very special backdrop with photographical opportunities galore on the property.



I thought it might be interesting for my overseas readers to have a little glimpse into an Australian style working farm. This farm house is definitely on the larger side I hasten to add, but it's a little glimpse into lives lived in the past, and country hospitality, working life and style today.


So, here is a little promo for my friends. Alice is a consummate hostess, and a very stylish city girl now living in the country. The cottage is beautifully furnished in a quintessential South Australian country style

Hughes Park Cottage

and for weddings, should you be thinking along those lines, this is a link to all the information on them

Hughes Park Weddings

I'm pretty sure after having 10 houseguests for the weekend, Alice is still trying to catch up this week, so thank you Al, we absolutely loved staying with you.

A trip to Brisbane

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I promise this is not going to turn into a travel blog... for one, I don't generally travel much, aside from the past couple of months with little overnight trips to various places. But I went to Brisbane last weekend to visit my friend Faux Fuchsia, and meet up with Romy and committed blog commenter Pammie.


I have never been to Brisbane before. I've passed through the airport on my way further North to the beaches and Islands of the Barrier Reef many times, but never actually stopped. But I loved Brisbane! The best thing about meeting up with a friend that lives there, is that they show you all the good bits you might not see as a tourist, and we spent no time in the CBD as a result.


Brisbane has lots of little houses that are quintessentially Queensland to me in the inner city - lots of weatherboard, fretwork and wide verandas designed to live on. I loved this one above with its tropical palms and patina in New Farm.


And many of them have the classic Queensland style of the lattice gate to the veranda. When this is closed it provides privacy to the veranda, and the front door is left open which means the veranda space is used like an outdoor room. This one above was so sort of 50's Queensland I couldn't help but take a photo.


We stayed the first night at the Fuchsiadome, and went to all Faux Fuchsia's favourite haunts.


We visited Montrachet for lunch (so delicious and French Bistro style), and dropped in and out of shops in Fortitude Valley, Paddington and New Farm. I particularly liked Magnolia Interiors in Fortitude Valley, they bring in a lot of unique things from France that I haven't seen elsewhere in Australia, like these beautiful coloured glass planters above, Astier de Villatte porcelain below, and absolutely gorgeous Limoges hand painted china.


There are also lots of beautiful cushions, lamps and other bits and pieces. It's probably a good thing they're not in Adelaide as it would be very bad for my bank account.... Romy and I returned on Sunday morning to panic shop before we left for the airport. I bought 4 breakfast sized Limoges cups and saucers, each one different.



We also visited the Paddington Antique Market, which is in an old Silent Movie Theatre. I bought this unusual silver plate toast rack (pictured above). It's circa 1890, and faux bamboo. It also holds 8 slices of thick toast in an upright manner... so it's a family sized toast rack, and I've not seen one like it before.


We went to Unique France (antiques), where I admired this set of four matching Art Deco armchairs. They were seriously beautiful in person. I could picture them mixed in with old pieces to give a bit of visual tension to a scheme (reupholstered in something more exciting than beige microsuede). Unfortunately they're $50,000 so I left them behind...


We went to Black and Spiro to check out Anna's latest fabric range in the flesh.


I can report it's printed on an excellent quality linen, and hand screen printed in Australia.


And dinner was at the Fuchsiadome, as you can no doubt tell from the table arrangement below - who else would use a furry leopard print tablecloth? We ate one of FF's famous sand crab lasagnas. It was delicious and really, really not good for the waistline... I think given all the hills in Brisbane FF manages to work it off in a way that I wouldn't be able to in Adelaide.


The next morning was based around more cultural pursuits. We started off at GOMA on Southbank, where we saw the Cindy Sherman exhibition.


I have friends who stayed in a hotel in Verona, Italy for their honeymoon, and were dismayed to find their room full of her creepy clown series of photographs. I'm not sure there was a lot of romance with these staring down at you in bed...



But after you get past the freaky clowns, the photographs where she started using digital cameras became very interesting. She makes a lot of commentary on the selfie culture, which is ironic as she pretty much pioneered selfies - her photos all feature herself in various costume/ makeup which she also does herself.


Here's Iris Apfel and Anna Wintour, and Faux Fuchsia.



We walked along Southbank to Stokehouse for lunch on the river, which was very pleasant indeed. Delicious food, and we stuffed ourselves so full we cancelled dinner that night. Faux Fuchsia won the desert category with her choice which was so pretty.


Sunday we went to the Botanic Gardens. This is the Japanese garden. There was also a lovely salvia walk.


We saw a Bush Turkey, frequently featured in Faux Fuchsia's blog as a menacing predator in her garden.  Those things are freaky. Thank God I just have possums the size of dogs in mine.


We had a delicious lunch at the Paddington Deli, and then it was off to the airport after Mr FF detoured to drive us around some of the cultural sights of Brisbane, such as the former home of Christopher Skase in Hamilton.

It was such a fun break. We talked interiors, antiques, art, fashion, gardens, books and food all weekend. Mr FF was a very good sport driving us around, plying us with Champagne (he'd bought in a case in preparation for the 4 of us) and throwing together cheese platters at a moments notice. The Fuchsia household is as visually lovely and immaculately neat as you'd expect, and I loved Brisbane and can't wait to go back for more. Hope you're having a lovely weekend wherever you are.

A Horsey Tail

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Up there with my obsession with hand painted De Gournay wallpaper, I have long held an obsession with Horsehair upholstery. I realise these two things don't necessarily go together in most people's minds, but horsehair upholstery is probably one of the most durable, and most luxuriously beautiful upholstery fabrics you can use in Interiors. Nothing made with modern fibre technology can match it in my estimation. It was the indoor/outdoor/ commercially rub test rated fabric (in terms of durability) of its time.

Photograph: Lisa Linder

So I have had this post, ready to roll out, for about two years now so that I can make all my readers also suitably obsessed with this miraculous stuff. Of course, to illustrate the post I was going to provide an anecdote about my own horsehair upholstered items - two side chairs that I purchased at Scammell's Auction house locally at an estate sale. They were upholstered in their original Victorian era black/brown horsehair, had nailhead trim, and elegant lines. And they sold for $600! A bargain. Unfortunately though I had a busy week and... forgot to put in a bid. Sob. So no happy snap of them in my house.  Yes, I have kicked myself ever since....


1920's Danish chairs with horsehair upholstery, nailhead trim and with a cuban mahogany base

But let's rewind a little and talk about horsehair. It's not commonly used at all these days for a variety of reasons. Used by Thomas Chippendale, Charles Rennie Mackintosh and Edward Lutyens on their upholstered pieces it was the height of fashion for around 150 years in Interiors.

Lutyens Napoleon chair upholstered in woven horsehair

The decline began as fashions changed -when it was used originally in Georgian and Victorian upholstered furniture it was of course in its natural state. Therefore you had a colour choice of the shades that a horses' tail came in, which were rather dull. Dyes at the time were not very colourfast, and were not able to successfully change the colour of the hair, so black was usually the default colour. It was slightly funeral, stuffy and not very exciting.

Photograph: Nick Brown

Horsehair for upholstery began to decline at the start of last century (it reached its zenith around the time Queen Victoria died) with the advent of modern fabrics, and a change in the colour palettes used in interiors. Horses were also replaced on our roads and farms with modern machinery, which meant that horse numbers in general declined, and with them the cheap source of the horse hair (the hair is cut from the tail, no horse is harmed/ killed from this).

Photograph: Nick Brown

Eventually horse hair was only used in upholstery as the stuffing. Gradually this too has been replaced by modern foam. However, modern foam, just like modern fabric technology, has not been able to successfully replicate the nature of the natural product. Horse hair has a natural spring to it. It will bounce back to its original position in a way that foam does not (as it degrades over time being a plastic). High quality upholstery is still stuffed with horsehair, but it is fairly prohibitively expensive. It is most definitely not, however, something that you'd put out on the kerb for the rubbish collection 10 years later. It would most definitely be a lifetime purchase.

My horsehair samples from a client job many years ago in reds and greens

But back to the use of it as upholstery. One company in Somerset, England kept up manufacture, on the original mill machinery to produce horsehair upholstery. However, in keeping with the times they revolutionised the actual product, using modern dyes to colour it in bright colours, adding in embroidery and patterns and producing a very beautiful, durable and unique product.  This company is John Boyd Textiles, which dates back to 1837, and is the last surviving mill producing horsehair fabric in England, and one of very few, if not the only one, left in the world. The main market for the company is not for use in interiors, but interestingly for use in soft form handbags that are then sold into Asia where they are highly prized. Germany has a flourishing industry producing these bags, and this is where much of John Boyd's fabrics are sent to. Closer to home it's been used extensively in commercial Interiors for upholstered walls, and on banquette seating and upholstered pieces. The natural lustre and texture of horsehair make it an appealing product for subtly luxurious interiors.

Photograph: Lisa Linder

There are a few quirks particular to the fabric - it comes in very narrow widths (57cm, normal width in fabrics are 1.2-1.4m), which means an experienced upholsterer is required to piece it together successfully when used on larger items. It's also quite eye wateringly expensive. It will take a day to weave 2-3 metres of horsehair fabric, which coupled with the difficulties in sourcing the actual horse hair itself explains the costings. If you can purchase an item already upholstered in horsehair, consider it money in the bank.

Photograph: Lisa Linder

Sadly at this point in time I have no upholstered horsehair items in my possession. One day I'll use one of the beautiful, jewel toned horsehair pieces for something though, and in the meantime I'll be haunting the auction rooms looking for my lost chairs (and if you are the fortunate buyer of them in Adelaide, well lucky you!).

Images source from John Boyd Textiles, English House and Garden Magazine, and Country Living Magazine

Banana Leaf is the new Chevron

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Martinique, the Banana Leaf wallpaper first popularised at the Greenbriar and Beverley Hills Hotels in the US in the 1950's has had a bit of a resurgence of late. I have to say, that I do love it quite a bit. Any design classic will always get me. I particularly love it when used to pack a punch, such as in a small powder room.




But then, I started to notice it in other places. It had jumped off the walls, and was now having a bit of a fashion moment. First, I saw some Pyjamas in a shop in Melbourne. Fun! I have run out of walls in my house for wallpaper, so Pj's would be a good alternative.

via Masini & Chern

And then I saw the Charlotte Olympia perspex clutch with the Martinique inner pouch, which I loved, especially with the little jewelled spider on top



The matching wedge shoes were a little high for me though.

Then there was the Dolce & Gabanna collection which used it on dresses, on bags, shoes, scarfs and pretty much anything else. 




Accessorised with a healthy dose of blinged out bug brooches. 




And now, when I go on Pinterest, my feed is full of other Banana Leaf things. You can have a Banana leaf themed party with backdrops


Paper Plates


 and of course the cake to match.


You can tell what time your guests will arrive by checking your Banana Leaf clock


And after a long, exhausting day partying on, you can collapse into your Banana Leaf bedding.



So it's starting to make me think that perhaps Banana Leaf is the new Chevron.....


Coming soon to a Target near you (if it hasn't already made it).

Views from Spring - the Great Storm, becoming a Prepper, spring cleaning, cooking and gardening

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the side garden

Blowing off the cobwebs on the blog - that was an unexpectedly long hiatus. The Great Storm that swept through South Australia nearly a month ago, and that dramatically knocked out the entire state's power for 12 hours (for my overseas readers, the state of South Australia is roughly the same geographical size as Germany, although only has 2 Million inhabitants), also knocked out the AV internet for almost 2 weeks. Of course it took me about 6 separate incredibly tedious phone calls to the Telstra call centre in India to try to work out what was going on.... and eventually they conceded there was a problem in our area and not with us personally, and it was finally fixed. But then, it turned into School holidays, and all other plans to write the odd blog post went out the window.

sandwiches by scented candle light

I will add that I have determined on the back of that storm that I will become a Prepper. It takes 12 hours without power to realise that burning multiple differently scented candles at once is quite sick inducing, and that rifling through the drawers to find in desperation the ones gifted to you that you had previously determined smelled too offensive to actually use, makes you realise that a large supply of unscented plain candles are a good thing to have on hand. So too is more than 4 slices of bread to feed 3 children and one adult when all your appliances work on electricity, and that due to the cyclonic conditions outside it's not exactly BBQ weather.

soggy and grey

We have certainly had our fair share of rain here. It has been a very usually cold and wet Spring, and the first full flush of roses, which generally marks the first week of October, has not really eventuated yet. This week a few bushes spluttered into life, but most are still some way off. Most of the blossom in my garden blew away in the high winds from the rolling successive storms we've had over the past 6 weeks - on Tuesday it hailed yet again. I've been busy preparing for the promised warm weather, wrapped up in my puffer and layers of wool, eschewing the more usual lighter layers and colours at this time of year. I have a bad feeling we're going to suddenly have days of 40C and no real Spring in between.


front garden

The cold wet weather did mean that during the school holidays I got stuck into a big clear out of two of my children's bedrooms. A large quantity of outgrown toys and books were delivered to my younger sister, who had her first baby two weeks ago, others were donated to charity or binned. Clothes were sorted/ thrown out/ donated and everything was organised anew. We no longer have any baby or toddler toys in the house! This is sad in a way, and a relief in others to finally clear out a bit of the toy pile. I have been wanting to do this for a long time, so the cancelled camping trip due to the flooded roads North meant that I had a productive alternative weekend.


In the garden I mulched all the garden beds, my hedging man trimmed things that needed shaping, and I had the verandas and paved areas high pressured cleaned removing the build up of dust that had accumulated over the past year. Next up the windows will be cleaned, and I will have ticked off a lot of my Spring cleaning list, most of it outsourced I have to admit!


The new outdoor sun lounges to go beside the pool from Restoration Hardware in the US finally arrived last week, and look perfect. Now we just need some sun to arrive as well....

roses and irises by the Bocce court
One upside of the wet weather is that not only did I receive a record low water bill this quarter (usually the watering system is turned on by the end of September, but it still isn't remotely needed), but the fertiliser that I threw around everywhere in early September was well watered in, and the flag and bearded Irises have been spectacular as a result.





I planted some new bearded iris varieties earlier in the year which have just flowered. They were heritage ones from the Diggers Club which are highly frilled in lilac, lilac and white and pink, and this one below, which is supposedly black.


Looks dark purple to me though....

My ecchium, which I grew from seed, is now almost 3 metres tall and full of white flowers. The bees and honeyeaters (birds) love it.

 bees galore

 one lonely Sharifa Asma rose in the powder room

With the lack of change in season, what I'm cooking and wearing has been tediously similar to what I was cooking and wearing in the depths of Winter. So I decided to try a couple of new recipes, and this Karen Martini one is a winner. Easy to do for one, or for 4 (just cut down the quantity as needed), and a simple and quick mid week dinner dish.

Baked Chicken with tomato, fennel and white wine

4 Chicken Marylands
1 Tablespoon Fennel seeds
3 Red Onions thickly sliced
5 garlic cloves thinly sliced
3 ripe tomatoes, cut into chunky dice
150ml white wine
250ml chicken stock
2 bay leaves
20 large green or black olives, pitted
salt and pepper

Method:
Preheat oven to 180C/ 355F
1. Brown chicken in olive oil in fry pan, set aside in casserole dish
2. Sautee onions and garlic in a few table spoons of olive oil with some salt and pepper until soft
3. Add fennel seeds and cook for a minute until aromatic
4. Add tomatoes, continue to cook for 3 minutes until soft
5. Add white wine, simmer for a minute
6. Add stock, bay leaves and pitted olives and bring to simmer
7. Pour over chicken in the casserole dish
8. Put into oven and cook uncovered for 30 minutes.

I like to serve it on couscous mixed through with a little chopped preserved lemon, chopped roasted almonds, chopped flat leaf parsley and some steamed green beans. The children like this one, although they pick out the olives.


I had a win at the local antiques auction a month ago - this club fender for the library/ sitting room. The base is in copper, and the seat in brown leather and fortuitously the dimensions fitted my fireplace perfectly. Best of all it was a tiny fraction of the cost of importing one from the UK (shipping alone had been quoted at 700 pounds!). I can't show the rest of the room as it's currently a horrible mess...

We are soon to be starting the demolition of the old shed, and construction of the new 3 car garage with my studio space above, which is where all the samples/ work things currently cluttering up the library/ sitting room will be moving to. To this end we've spent the weekend clearing out the old shed, which I had in all seriousness worried would blow away during the various storms that have rolled through in the past month with their high winds. It's been a thoroughly disgusting and depressing job, as it barely provided weather coverage, so everything in it has been wet/ damaged/ covered in possum poo, plus we've had to finally sort through the stuff the builders left from the previous renovations (50 paint cans, most empty etc). We are hoping the first week of November the build will start... especially as the delivery of the sun lounges also brought the delivery of some furniture for my future studio above the garage.


This sideboard will be perfect with large baskets on the shelves for my samples. Unfortunately though we have no where to put it for a few months... so it's inside against the French doors in the casual living area. Mr AV has been a bit grumpy with me about it, especially as he had to carry it in with a friend, and I gather it's sort of extremely heavy. Plus I then mentioned it would have to be carried up a flight of stairs in the garage in a few months time...

So, hopefully the next couple of weeks the weather will improve, and the demolition will start on our last major project for this house, at long last.  Hope you are enjoying more pleasant weather than us here in soggy Adelaide!

Domestic minutae - Christmas prep, garden, books

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trial Christmas setting... need to find some water glasses that work

It's pre Christmas craziness here. I've been flat out working to get things I need done before the final Christmas shutdown of the construction industry, plus the school end of year activities have already begun with Sports Days and music concerts ticked off, and carols/ nativity plays/ speech days looming in the next few weeks.

Emmanuel Phillips Fox painting (an Australian Impressionist) of Sandy Bay, Hobart 

 photos from the Adelaide Antique fair a few weeks ago. I liked this pair of wingback chairs a lot.

Weather wise, it's been crazy too. Just after we'd all cleared away the mess caused by the recent floods/ cyclones I wrote about in my last post, and declared Spring finally on, we were hit by a massive Thunderstorm with golf ball sized hailstones that seemingly came out of nowhere. The AV cars received a couple of minor knocks, the storm hit at about 5pm on a Friday afternoon, but I have friends whose cars have been written off by their insurers, solar heating and electricity panels damaged, and skylights smashed. The weather is either freezing, or 38C, there has been no happy medium.


Sadly, the Echium Giant, which was standing nearly 3 meters high was knocked over in the winds... Mr AV made some rude comments about how it was looking, as did a couple of his friends... so last weekend I had a heavy duty garden session, and pulled it out. It had finished flowering anyway, so they usually die after that, but still...


droopy echium

I was also cursing myself when after a hot night a few weekends ago I decided to switch the Doona over to the summer weight one, then had to wear socks and flannel pjs to bed as the weather swung back down to freezing. This week it finally feels like proper Spring/ Summer, so I have started washing all the woollens and putting them away, hoping I'm not jinxing myself...and I've also continued on my big cupboard cleanup, taking more loads of outgrown kids clothes and toys to the Charity store, cleaning out cupboards in the kitchen and laundry and trying to organise the work samples in the Sitting room while we wait for the Studio/ garage to be built.... which has been delayed and will now start in mid January. Sigh. It's the neverending garage design/build.

woollen washing

I spent last Monday in the city knocking off a lot of the Christmas Shopping, and am now feeling more mentally organised. Mostly I give books to family for presents, or theme around consumables. There's a bottle of Tasmanian Whisky for my Father in Law, some Science based books for my Father, my sisters are getting Kink vinegar/oil bottles from The Jam Factory (I use mine for dishwashing soap and leave it permanently by the sink... it's pictured below with neon green dishwashing liquid in it... unfortunately I had thought I was buying colourless, this is not the colour pop I was looking for), the teachers at school and the music teachers are getting Project Ten bags (also one of my favourite gifts to give for hostess gifts and friends birthdays as well). There are currently so many good books around though - the latest Paul Bangay "County Garden"s book is fabulous and would definitely make a good gif for the keen gardener. I've successfully avoided all the Black Friday sales over this weekend - sadly the clothes I liked were only a measly 40% off, instead of the 90% off I'd prefer, because 40% off something $4000, is not exactly cheap.

kink bottle for dishwashing liquid

I am enjoying my roses, which have been fairly spectacular this year, even if they are late. If I've had a hard day, there is no greater pleasure than wandering around the garden far from fractious children snipping a few in the evening to put in little vases. In June I planted around 25 new bushes, all David Austins and I included a lot of dark reds. They're starting to put out their flowers, although I do think you get the best flowers after they've had a few years to settle in. If you want an endless stream of rose photos, then hop on over to Instagram where I am trying to restrain myself from constantly posting pictures of them.






As you can see from the very first image in this post, I'm hosting my family Christmas dinner for the first time this year. It will be a more casual affair, due to our lack of formal dining room, however I decided that using my Cabbage ware would be a suitably festive and garden-ish theme for the main event in the more casual setting of our open plan living area. I realise that cabbage ware will probably look a little odd for Christmas to those in the Northern Hemisphere, however we could easily have a very very hot day, and it's highly likely that the children will all be swimming post Christmas lunch. So, festively themed green cabbage ware, the antique silver cutlery, the Waterford Crystal glasses (which long term blog readers will remembered I purchased at estate auction for $20/ glass a few years ago and so will happily put in the dishwasher) and silver Christmas crackers and giant baubles as centrepieces will be the order of the day I think. We will have 12 adults, 5 children and 2 babies in attendance. The wreath will go up on the 1st December on the front door, and the fresh tree will be purchased and decorated next weekend. Today I baked sponge cakes that I've wrapped in foil and put in the freezer in preparation for trifle bases - my Dad visited during the week and dropped off 3 dozen eggs from his chickens, so I needed to use some up.

So, I'll try to keep up the blogging during the next month, but the end of the year feels like it's in light speed at the moment. All the posts in my head on all sorts of design things are not unfortunately jumping out on the page, so I hope your Christmas prep is going well, and for those in the US I hope you had a very happy Thanksgiving.

image via Nicola Lawrence Textils and Papers. Chelsea Textiles cushions.

And finally, if you were are an Australian based graduate of The Inchbald School of Design in London in either Landscape or Interiors, and you'd be interested in getting in touch with others here, then please email nicola(at)nicolalawrence.com.au, or me on anadelaidevilla (at) bigpond.com  as we're trying to get together a group.



 images via Nicola Lawrence Textiles and Papers

Nicola recently set up an internet based business from her property on a Merino sheep farm in country New South Wales, and she retails absolutely stunning fabrics, wallpapers, lampshades and cushions, not easily available in Australia. Her business, Nicola Lawrence Textiles and Papers is quite unique, and it is making accessible some of the more boutique brands of fabric companies from the US and the UK. Long term blog readers will know that I am of the opinion that lack of retailing of good quality interiors fabrics and wallpapers is detrimental to the design environment as a whole here, so I think it is fabulous that Nicola is making these brands available in a way they'd usually not be (as they're to the trade only). If you're looking for beautiful hand blocked fabrics or wallpapers, and you're not necessarily looking to employ a designer, this might be a good option for you.

Via Nicola Lawrence Textiles and Papers
Have a happy weekend

Mrs Delany and her extrodinary life

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I thought, that as I have scant chance of writing blog posts of any merit over the next few weeks, that I'd instead repost a couple of my favourite blog posts from many years past. Long term blog readers, please excuse my laziness in reposting some of them, but I hope that newer readers might enjoy them instead. I will try to write a couple of other blogs before Christmas, but in the meantime, here is one of my favourite posts.

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If you've visited the British Museum you may well have seen Mary Delany's stunning paper collages. Begun when she was a 72 year old widow in the 18th Century in England, she is the inventor of paper collage, and her botanically accurate depictions of some 1000 different specimens are true works of art as well as science. Each of her collages is made up of individually hand-cut coloured paper which has been glued to black backing paper. She finally put down her scissors aged 82 due to her failing eye sight, after an industrious and unconventional life marked by her sophistication, intelligence, friendships (with many luminaries such as the composer Handel, writer Jonathon Swift and Sir Joseph Banks the botanist), and her talent in Art and Music. As I mentioned recently in a blog post, I read a fascinating book about her life, Mary Delany, her Life and Her Flowers. I love books about social history and women's lives over the ages, and Mary Delany lived quite an extraordinary life.


Born Mary Granville into a family of lower ranked nobility, she had association with the English Court through her widowed Aunt and was educated in French, English, History, Needlework, Dancing and Music in London for the life at Court it was assumed she would have. A change in the Monarchy with the death of Queen Anne led to Mary's family fortunes turning. Their reduced circumstances lead to her being pressured into a marriage, aged 17, with a 60 year old man of means. She was desperately unhappy, but he eventually died, leaving her widowed aged 23. Unfortunately he had not altered his will, and his estate passed to his niece, leaving her with a very small widow's stipend.



Mary was determined not to remarry (widows were able to move much more freely in society), and she remained single until she was in her early 40's (and was known as a Bluestocking through her friendship with that group). During this time she was active at Court and in Society, much sought after for her wit, humour and intelligence. She was also known for setting fashions, albeit in a more 'stylish' manner than being a pure trendsetter. Much of what she wore she designed herself, and also embroidered quite exquisitely. She made a court dress of black silk, which was embroidered all over with silk flowers, each different and unique (a precursor to her paper collages), and which has been passed down in her family.


embroidered panels from her court dress

Eventually she remarried, this time for love, to Irishman Dr Patrick Delany (against her family's wishes). She then entered a very settled and industrious period spending each day in paper cutting silhouettes, as an avid gardener (many of her letters reference with interest the work that Capability Brown was doing landscaping friend's and family member's estates in the revolutionary manner that became known as the Landscape Style), in shellwork (she created a shell grotto at a friend's house, as well as covering furniture, mirrors and ceilings in shells), embroidery (designing and embroidering curtains and chair covers for her home as well as her clothes), reading, playing music and doing all of these things in the company of her friends, of whom she had many. 



After the death of her husband, when she was 72, she moved back to England, living with the Dowager Duchess of Portland, a close friend. Both had an interest in Botany, which lead them to friendships with botanic luminaries such as Sir Joseph Banks. Her paper collages were the culmination of her scientific knowledge of plants, her artistic skill with colour and texture, and her extraordinarily high skill level in cutting fine and tiny pieces of paper to create silhouettes. These caught the eye of Queen Charlotte, wife of King George 3rd, who became good friends with Mrs Delany (as did the King himself), and encouraged her in her pursuit.



Mrs Delany's flowers have inspired many artists and designers. Of course, collage is now considered quite mainstream, but she was the trailblazer. Carolina Herrera sent out a catwalk collection for Spring 2011that featured botanic specimens on black that were definite homages to Mrs Delany's work.



I found her life so interesting on so many levels - she was a clearly intelligent woman, who was trapped by the circumstances of her sex, and the era that she was born into, to live a life that was not of her choosing. But after being given her freedom by the death of her first husband, her path was not conventional in the least. She waited to marry again for love, rather than social position or financial security (she apparently had many offers of marriage that she turned down). Her artistic skill, creativity and industriousness are completely inspiring, as was the fact that she was quite old when she began her real life's work of her one thousand botanical collages - there is hope for us all! 


There are several books written about her life. The one I read Mary Delany, Her Life and Her Flowers, was written by a descendant of her sister, but there is another more recent release titled The Paper Garden written by Molly Peacock and which is a slightly more dramatised version of Mrs Delany's life. Mary Delany lived a fascinating, industrious and creative life, a life that was inspiring on many levels.

all images via Pinterest

Well Loved

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I'm feeling a little nostalgic as my youngest, the subject of this blog post that I'm reposting below, finishes his first year of school. He is now 6, but his teddy bear has still not been relegated to the cupboard just yet. I will be sad when he does, as my littlest is growing up so fast - the children all are. For those who have read this before, I apologise. I have a half written blog post that is design- centric that I will hopefully have written and posted later this week, but in the meantime, here is one of my favourite blog posts of old.

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Meet Didi (Dee-Dee). He's the constant companion and best friend of my 2 year old, S. He is a flatout bear, made of sheepskin and super cuddly, and as you can see, very well loved. Since S was 4 months old he has slept every night with his little friend. He named him Didi because he couldn't say "Stinky", which was our name for his bear.

fur missing, eye missing, and a horrible odour

Now, we have a little secret in our house. This Didi pictured is actually Didi number 2. The first Didi had an unfortunate situation with his leg. S liked to chew on his leg, until it came to the point where he had essentially eaten it when he was 1. When I did the switch of the first Didi, I explained that I had cleaned him and sewn his leg back on. My oldest child, then 6 years old said "Wow Mum, you did a great job!".... whereas my then 3 year old daughter eyed the new Didi suspiciously and said "but Mummy, how did you sew on his leg when S had eaten it?". A quick change of subject and it was forgotten about, but I knew that the next time we had to switch a bear it was going to be tricky..... for one, S. was older and could well reject a replacement bear. Secondly, his older brother and sister also had to be convinced that it was the same bear for a switch to work.

hole in the back

In preparation of the switch, I told S that Didi was going to the Teddy Bear Hospital, where they would sew his fur back on, fix the missing eye, and make him all clean and fluffy. S was very enthusiastic about this. Finally, a nearby shop had a bear in the right colour in stock, and I picked it up and started the preparations.


For 3 hours this morning, I managed to separate S from his constant companion, telling him that Didi would be in hospital, and would be coming home in time for S's nap after lunch. To convince the older two that it was in fact the same bear, a hospital record was produced, and the new and revitalised Didi was put on S's bed, with the ratty coloured ribbons (to help us find Didi when he is lost in the garden somewhere as he is the same colour as dirt) threaded through the label as always. 



My other two have also had a special friend for bed. My oldest, H has "Dear" (his word for bear), and has Dear 1 and Dear 2.... he had a replacement as well, and after finding the original in our cupboard 6 months ago, now sleeps with both of them. My daughter E has "Bubba" (her baby word for bear) and is also on her second. I'd just say that a white bear is not ideal. All three of them have taken their bears everywhere with them until they are around 3... which means that Didi's days should be numbered, but S shows no signs of leaving him on his bed for the day just yet. And who can blame him? Didi is a very soft and cuddly bear.


Dear 1 and Dear 2

I had a bear as a child, one of those Koala's that are sold in tourist shops, made out of kangaroo fur, imaginatively called "kwalie". I used to chew his paws, so they were all bald from the fur being sucked off. Sadly, I left him on a train in Scotland when I was 4. He was never found in lost property, and the bear I was given as a replacement was just not the same. He hadn't had the vigorous love of a 2 year old to soften the edges - there was no history.


Bubba

So, how did the swap go? Well, S walked in, spied rejuvenated Didi on his bed and squealed with excitement. He had an absolutely beaming smile on his face and shouted "Didi - you're all clean and fluffy, and you smell good!". Total acceptance. Tonight he is tucked up with Didi in his bed, clean and fluffy and very happy to be reunited with his special friend.


Pyjama'd up and ready for bed

So tell me.... what did you have as a child? Blanket, Bear or thumb?  

Cosmetic makeovers in a house - a quick before and after

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I think the one thing that I really love about design is the problem solving aspect. Whether it be large or small, there is nothing more satisfying them finding a solution to a problem that is both logical and inexpensive.

After: The rejuvenated kitchen

On numerous occasions, part of my design work has been to look at an existing house, and find the best and most cost effective solution for my client to live in it more efficiently, and in a more modern way. Here in Australia we now prefer to live with a casual, open plan living area to the rear of a house. Usually this opens out to a back garden, courtyard or pool area. It's light and bright and suits an informal style of entertaining. Older houses, built prior to the mid 1970's, tend to have their best rooms at the front of the house, with the back of the house being served by small, boxy rooms and utility areas like a separate kitchen and laundry.

The temptation can be that you add on more space at the back to create the living environment that you want. But this can be not only expensive (as every square metre you add on obviously costs), but it can leave you with rooms at the front of your house that don't have a specific purpose anymore, and that become disused spaces. Formal rooms that are used once a year are not a good use of your space or your money.

A project I worked on in Sydney late last year is a great example of doing a few internal tweaks that suit modern living a little better. The house had sat on the market in a very good area of Sydney for a long time. Anyone that knows the market in Sydney will know that this was fairly unusual as property tends to move quite fast, but part of the reason for this was that the house had an unmodernised layout (it was a 1920's tudor style two storey house built on a sloping site). The kitchen was reasonably large, but did not face out over the back garden, and it was in a separate room. Overall the interior features of the whole house were a little dated and conservative with fairly lacklustre light fittings and muted paint colours more suited to an older buyer. In short, it put off the family market who would normally snap up such a property. It was "too good" to consider it a knock down/ full renovation/ bargain as things had been done well, but not wow enough to draw in the buyers that a property in this area would command. Additionally it had a few strange features that I think probably caused buyers to scratch their heads, but which were easy to change.

My clients have a very young family, and a small collection of good quality modern furniture and Art, they were upsizing from a previous cottage in Melbourne. I was charged with finding some simple make over solutions so that they could feel happy and comfortable for approximately 5 years before they embarked on some larger changes that would more substantially alter the layout of the house and a few of its glaring faults, and to also select and purchase furniture to fill their new larger spaces. They like things a little glam, and used the terms 'luxurious' a lot, but also 'budget' a lot too!

Before: the original kitchen - tiled floors, granite benchtops and timber cupboards

First thing was the kitchen. The existing kitchen was timber with granite benchtops, stainless steel appliances and tiled floors. As I mentioned, it was in a wholly separate room, however with a toddler at home, this didn't work well for my clients. The first step was to open up the wall between the kitchen and the adjacent formal dining room to give a larger casual living area. This was one of the more expensive changes in the overall makeover, as it required a steel beam to support the load from the second floor to join these two rooms up.


portion of the floor plan showing the separate kitchen and the adjacent formal dining


The floorboards throughout the house were a very thin width pine subfloor, which had been polished up and were a little yellowy and knotty. Floorboards were not always meant to be seen in old houses, and these were a good example of that. The 1920's saw the rise of the fitted carpet, and anyone with any means would have fitted carpet throughout their house. For this reason the subfloor was the cheapest structural timber that could be fitted, so polishing it up is a modern treatment to these types of floors. It's sort of the equivalent of polishing up modern particleboard sheets which is used now for our unseen subfloors.

Before: The formal dining room, which became informal living once knocked through to the kitchen

Additionally, it was running the wrong way - across ways in the hall. Usually you run floorboards down the longest axis, so front to back in a hall. So, with these two things in mind, and in an effort to quickly unify the kitchen and rest of the house with the tile and timber having a junction that was exposed by knocking through the wall, we laid a floating floor across the whole thing using a wide board oak in a neutral and natural light timber finish. The benefits of using a floor like this was that the whole thing was installed throughout the ground floor in a matter of a few days requiring no polishing etc, but the transformation was dramatic to the overall feel of the house. Suddenly the flooring lifted it into a modern and light feeling house.

During: Floorboards being installed in the sunroom that became the dining room


Back in the kitchen, the next biggest transformation was paint. The actual kitchen units themselves were very good quality, but the timber look was dated, and so we painted the cupboards in a semi gloss enamel in white, with a black for the island bench. New benchtops were added, as my clients absolutely loathed the existing granite, and a white Caesarstone was chosen. This was not the most cost effective option - I'd suggested using a laminate benchtop initially, as they are far, far cheaper, but in the end my client decided to stump up the extra for the caesarstone as the builder talked them out of the laminate. All the other items in the kitchen were kept the same - same appliances, handles, taps, sinks etc.


During: Opening up the wall between the kitchen and old dining room and beginning the painting

After: The finished kitchen open to the old dining room which is now a casual sitting area, apologies for the artificial light which is casting a very yellow glow

The other major area of improvement in the house was the lighting. Every fitting was changed, and they ranged in price from fairly inexpensive fabric drum pendants in bedrooms and halls, to a couple of showstoppers in the formal living and dining rooms. These pendants can be reused if and when my clients renovate, so spending money on some fittings now was a good expenditure to give a little bit of wow.

Before: The original Sunroom, which became the dining room

After: Sunroom with a new light fitting, new floorboards and paint, and the existing dining furniture my client's already had. No, there is no lean in the floor! Just a bad camera angle. You can just see the wall of the dark formal sitting room, so the light fitting and chairs links the spaces

Rejigging the floorplan on the ground floor meant that we pushed the dining room into the former Sunroom just off the formal living room. This is not very close to the kitchen, which made me a little reluctant to do this, however my clients said that they were more likely to sit at the island bench in the kitchen to eat meals during the week, and that the dining room would be more likely to be used for weekend lunches and dinners with friends and family. At any rate, the one room that was left slightly purposeless, and possibly a pass through was the formal living room. It had some lovely features with the original fireplace and little stained glass in the windows, but it was a traffic thoroughfare to the sunroom and the outside garden access, and was fairly gloomy being a reasonably internally focussed room with small windows.

Before: The Formal Sitting Room

It might seem counterintuitive to therefore paint this room near black, and it took a little convincing of my clients, but they bravely decided to go for it, and now say it's their favourite room in the house. Funnily enough, the painter had queried the colour when he opened the tin and had added to their doubt, but after it was done, everyone loved it so much that the painter was considering doing a black room at his house as well!

In progress: New seating, coffee table, light fitting and the artwork in place. Still to come additional tables, new large rug and lamps and the cushions

Dark colours really set off modern artwork well, and this has been a great base for this room. We used a light fitting that was 1920's inspired with foxed mirrored glass to give a little glamour to the room, and which you can partially see in the fairly poor photograph above. The new sofa and armchairs are upholstered in white child proof indoor/ outdoor fabric, and we've done a mix of furniture with some existing Hay denmark side tray tables that they had, a West Elm coffee table, and since this photo was taken, a Ligne Roset side table between the two armchairs. Some lamps and cushions have also arrived, and hopefully I'll get over to Sydney soon to see how it's all progressing and to photograph it - the next major purchase is a rug.

Unfortunately I haven't photographed more rooms. While the majority of the furniture and cosmetic changes were finished for Christmas last year, this year we have slowly added in other finishing items as budget allows, and it's almost at a point where I can get in to photograph it properly.

All up, this was a satisfying project due to the quick turnaround and the dramatic transformation. My clients are thrilled with the changes, which essentially amounted to new flooring throughout (new carpet upstairs, floorboards downstairs), the kitchen benchtops, lighting and a very, very big painting job. The yellowed oak-coloured timber trim throughout the house was painted out. I realise a lot of people are against painting over wood at any cost, but it looked pretty shabby and worn, and again, my client hated how dated it made everything look. Painting woodwork does lighten up spaces, so the changes to the stairs and upstairs hall were dramatic where there were areas of panelling.

I hope you enjoyed this very brief before and after, and I apologise for the poor quality unprofessional iphone photos! I've sat on this for almost the entire year thinking I'd get over there and photograph things properly, but this year has sped by, and I thought it better to show a little glimpse of this interesting project, poor quality photos and all.

A trip to Cambodia

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Ta Prohm temple, Siem Reap

Our long summer holidays are about to finish here in South Australia with the children back to school this week, and earlier this month we took a family holiday to Cambodia. Some blog readers may recall that we went on a holiday to Vietnam last January, which we absolutely loved. Our flight back from Vietnam stopped over for an hour in Siem Reap, Cambodia, and this was so tantalisingly close to the ancient Angkor Wat it made me think about going back to that region and exploring the jungle temples that it's famous for.

We started our holiday in Phnom Penh, the capital city of Cambodia. Cambodia is very much a developing Asian country - far behind its neighbours Vietnam and Thailand due to the civil war and reign of terror that Pol Pot instigated in the 1970's. There is a lot of investment now flowing in from neighbouring countries, such as China, South Korea and Malaysia, and Phnom Penh is a good representation of the crossroads that the country is at. Towers of glass and steel are going up at a rapid rate next to old French Colonial traditional dwellings and shops, street markets and ageing infrastructure. The typical tangle of electrical wires running overhead, the open sewers in some sections of the city (to be fair, these are reasonably hidden from view - our Tuk Tuk took a short cut one day which was fairly eye opening), the small rubbish piles in the street waiting to be collected, the snarls of traffic and motorbikes with multiple passengers clinging on and interesting things being carried on them...all scenes that are typically Asian- city chaotic, although this is a far smaller capital city than places like Bangkok or Saigon (the population is around 1.5 Million).

Golden Buddha in Wat Phnom

We found it difficult to walk anywhere from our hotel with the children - as many visitors to Asian cities in this region will know, road rules are fairly loose (they will drive down the wrong side of the road, mount footpaths and not necessarily stop at red lights) and with young children you risk being knocked down if you loose your nerve crossing the road (you have to step out into the traffic, moving slowly at a steady pace and keeping eye contact with oncoming drivers and scooters who will slow down and drive around you. If you stop, or run, you risk being hit). Coupled with the fact that many footpaths end up blocked by cars parking on them so that you have to walk out into the street, we instead mostly used Tuk Tuks when out and about to get to our destination. They're little motorbikes with carriages on the back that can weave in and out of traffic and therefore travel faster than cars which can get stuck in the lengthy traffic jams.

outside the coronation pavilion at the Royal Palace, no photos are allowed inside of the richly decorated interior, throne and ceiling depicting the story of Cambodia

We had two full days in Phnom Penh, and our first day we spent touring the Royal Palace complex, which has a lot of Thai style pagoda structures (high pitched roofs adorned with glittering gold tiles) in the manicured grounds encompassing museums, coronation halls, religious temples (the Cambodians are Buddhist) and the famous Silver Pagoda (the floor is made of silver and it contains a buddha encrusted with diamonds). The 65 year old bachelor King lives at the palace with his mother, the Dowager Queen. His father was incredibly popular, and you still see portraits of the older king displayed, however the current king seems to have generated a somewhat more ambivalent attitude, his passion was ballet dancing which he did professionally in Europe in his youth , and he doesn't seem to be so in touch with the people.

Royal palace, looking toward the pavilion from where the King addresses the crowds in the square outside the palace walls on state occasions.

We visited Wat Phnom, which was the founding temple of Phnom Penh located in the middle of the city at the top of a man made hill. Founded in the 14th Century it has monkeys swinging in the trees around it and the scent of incense wafting over all. There are many Buddha statues, with offerings left at his feet of food, money and incense. The Cambodians are very welcoming of the mainland Chinese tourists, who make up the vast bulk of their tourism market, and have pragmatically put in Buddhas that they called "Chinese Buddha", because the Chinese worship Buddha in a slightly different manner.  Buddha is adorned in modern clothing, jewellery and lipstick, and some of them had interesting rainbow coloured LED light displays flashing behind his head. It's a slightly disconcerting clash of old and new, of consumerism and humility before a deity.

Chinese Buddha, who looked like he'd had a hard night out on the town to me, and yes, he is wearing a Louis Vuitton necklace gangsta style...

We visited the tiny National Museum, which houses may of the old statues and artefacts from temples that still remain in the country (looting has been a huge problem for centuries), we visited the Russian Market (large clothing and fresh food market crammed with factory overruns and fake designer goods as well as traditional Cambodian handicrafts), and spent the afternoons when the heat would become more intense by the pool at our French Colonial hotel under the shade of the palms.

National Museum courtyard

We next travelled up to Siem Reap, which was the main purpose of our trip, to see the Unesco World Heritage listed temples in the region. Siem Reap is the closest town to the temples, which lie in jungle a short distance away. This is the jewel in the crown of Cambodia, and they are justifiably proud of the temples. Siem Reap is far more developed than Phnom Penh for the tourist market, most of whom fly in and out on direct flights and do not visit the rest of the country, and it is quite a different experience.

having a "Dr Fish" foot massage in the old town after a day trekking in the temples. The fish nibble at your feet

The old town is very clean with stall holders hosing down the footpaths every morning, it's pedestrian friendly, and lined with cafes that would look at home in any western city in the world. I was at one point actually served my drink in a mason jar while sitting on a Tolix chair which was a little disconcerting, but clearly the influence of Pinterest has gone a long way. The markets sell similar goods to those in the capital, however price wise it was far more expensive (relatively speaking - Cambodia is a cheap travel destination in general). Everything is paid in US dollars in Cambodia, and the starting price in Phnom Penh was always $5 (then you begin to bargain), but in Siem Reap it was all a starting price of $10.

inside Angkor Wat

We ate our best meals of the trip in Siem Reap, at two restaurants overlooking the river that served excellent Asian food (with prices to match - these places were cheap by our standards of eating out at home, however compared to the cost of meals in the main food street in the town, Pub Street, they were fairly expensive). The main Khmer national dishes are Loc Lac (a mild beef curry which originated in Vietnam, but has been claimed as Khmer for 50 years, much like pavlova is contested between the New Zealanders and Aussies), and Amok (fish or chicken poached in coconut milk in a banana leaf with some spices). Many of the other things on menus are more recognisable as being purely Thai or Vietnamese in origin, which fits with the Khmer people being at various times controlled by the Thai and Vietnamese, and there are a lot of French pastries and baguettes on offer, showing the influence that French colonisation still has in the country. Siem Reap is so westernised though, that many of the cafes in the old town serve exclusively western food - I don't think I've ever seen such a concentration of places advertising Wood Fire Pizzas in my life as in Pub Street, and that includes in Italy.

at the top of Bayan, with its may faces

But I've saved the best for last - the Temples. I can't really explain how awe inspiring they are, and the feeling of wonder and discovery that you get on your first viewing. The Temples (there are something like 40 in the immediate vicinity of Siem Reap, with Angkor Wat being the largest and most famous) were built by God Kings from the 11th Century, who worshipped the Hindu faith. Hinduism had spread into Cambodia via trade with India along the coast line, however the temples were built in jungle farther North from the coast (today it takes 5 hours by car to travel from Phnom Penh, so a journey by boat from the coast up the river to Siem Reap would have been lengthy back then).


The scale is absolutely incredible and despite seeing photos, you can't be prepared for the first sight of Angkor Wat rising out of the jungle, surrounded by its perfectly straight, wide man made moat. It's the largest religious structure in the world, exceeding the Vatican or Manchu Pichu, with every surface intricately carved - an 800m long bas relief stretching around the outer edge of the main building depicts battles and scenes from Hindu mythology.

a monk blessing tourists in Angkor Wat

We visited only 5 temples with the children, despite being in Siem Reap for 4 full days. Each temple would take at least an hour, to an hour and a half to explore (Angkor Wat is so large that it took us about 2.5 hours to get through), so most days we picked a couple of the larger and more famous ones and explored them. While it could seem that you'd get a little tired of temples, this is not the case - each one is so different from the other. Our favourite was Bayan, which has strange heads carved into the top of the structure, and layer upon layer of labyrinthine rooms at the base that the children enjoyed exploring. It had probably the best carvings that we saw with elephants, monkeys, fights and parades and religious ceremonies depicted.

this photo gives some idea of the scale - my 6 year old standing under a tree root

Ta Prohm is the one made famous by the movie Tomb Raider, with giant trees growing out of the ruined temple from the time when the temples were abandoned and the jungle left to reclaim them for several centuries. The Elephant terrace's carving was incredible, and I personally loved all the gates into the different temple complexes - rising out of the jungle would be a bridge with an enormous carved stone rail of seven headed snakes being pulled in a tug of war stance by warriors (these were to protect the temples) and an enormous and high gate carved with the head of a deity in a very high stone wall that dwarfed the tuk tuks and cars travelling through underneath.


a view out the back of a Tuk Tuk of an entry gate

Exploring the temples is hot work. It is the dry season during January, but even so temperatures would be in the low 30's and very humid. So pacing ourselves with the children in tow was key - we spent the afternoons swimming at the hotel, and would then wander out into the town for dinner after sundown. Exploring the temples I took wet washcloths from the hotel so that hot children could put them around their necks or wipe down their faces to keep cool, and of course bottles of water (although there are plenty of opportunities to purchase food and drink in the area from stallholders).


Our hotel choice, the Park Hyatt, was a good choice for many reasons - it was well located for a short walk into the Old Town, but it also put on a traditional puppet show, or dance or martial arts display each night during drinks or dinner in the courtyard. My boys in particular were very impressed with the martial arts display and the fact that it was done in such a relaxed manner with informal seating (rather than going to a restaurant where they did that as part of a set 'show' which was commonly offered in the town) worked better for the ages of our children.

Surprisingly, Australians are not as commonly seen in Cambodia as in other Asian countries in the region, and I suspect that it may be because Siem Reap is inland, and not on the coast (Australians do love a Beach destination for holidays in Asia). The majority of tourists are from neighbouring Asian countries (the vast majority coming from Mainland China), the Western tourists, who are a far smaller number, tend to be split between French, Canadian and American. At this stage the supervision of the temples is fairly relaxed - you can walk around and over most of them, without having to stick to set paths unless you're in a very ruined temple where areas may be cordoned off due to potential danger from collapse. I can't imagine that in 50 years time this will be the case, as all the foot traffic, touching of bas reliefs etc will inevitably wear down the temples. The government is also constantly working at restoration projects in various temples, so some areas are out of bounds as they are reconstruction sites.

So, if you're interested in visiting Cambodia, here are some recommendations of places we enjoyed:

Eat:
Malis in Siem Reap, our best meal of the trip
Chanrey Tree in Siem Reap, the food was also excellent

The "Living Room" at the Park Hyatt, Siem Reap

Stay:
Phnom Penh - Raffles
Siem Reap - Park Hyatt

Travel:
We flew direct from Singapore into Phnom Penh on Silk Air. After 3 nights in Phnom Penh we travelled by car with a driver and guide 5 hours to Siem Reap on the main highway (this is single lane both directions, and was finished approximately a year ago, so is new and fairly bump free). This cost approximately US$120. There are flights between Phnom Penh and Siem Reap, however they are operated by Cambodian based airlines, who have very poor compliance records (no accidents, however they are all newer operators post 2010). For this reason we decided driving was safer. There are direct international flights in and out of Siem Reap should you not wish to visit Phnom Penh, and our return flight was direct from Siem Reap to Singapore on Silk Air.

Travel with children:
I'd say that our youngest child, who is now 6, was about the minimum age you'd want to take children to Siem Reap. It's extremely difficult to explore the temples if you're not able bodied - the paths and floors are uneven, there's a lot of climbing up incredibly steep steps, a lack of balustrades, and vast distances to walk. Trying to use a stroller would be impossible, and most very young children would find the walking and climbing hard going in the heat.  We chose not to use tour guides, as we felt our children wouldn't have the patience for it, so we ducked in and out of the temples as we chose, which worked better for us. All three of our children (ages 6,8,11) really enjoyed visiting and exploring the temples and were quite overawed by the scale and age of them, they enjoyed bartering in the markets, and travelling in the tuk tuks. Cambodian people are lovely and very welcoming to children and made a huge fuss of them all, especially our youngest.

Shopping:
I didn't buy anything on this trip (the children bought hats and some t-shirts). The market shopping consists of factory overruns of brand name western goods made in the area, and the fake designer goods found all over Asia (Chanel bags, LV jewellery, scarfs etc). The goods that are local include very well made and delicate basketware (some of which I have seen sold in the Dior home shop in Paris), Cambodian silk scarfs, rather luridly coloured paintings, and carved timber goods. You can buy reproduction antique buddhas and temple bowls etc should you feel inspired to recreate your holiday at home, and at the temples you can purchase rubbings of temple reliefs on rice paper. There are some shops at the base of the Foreign Correspondents Club on the river in Siem Reap that have high quality items for sale, including local pottery, bronze artefacts, and a photography gallery of stunning black and white large format photos that put to shame any of the terrible iphone photos I've included in this post! Generally speaking, I found the best items to be in the shops in the Hotels we stayed at, but I will say that I didn't get a lot of time to explore the shopping in any particular detail.

We really enjoyed visiting Cambodia - it has a fascinating history, and to compare the temples with Western achievements in Architecture at the same period in history shows the incredible artistry and sophistication and wealth of the country at that time and its influence in the region. My only wish is that I had more time to explore more of the temples, however this just means that I'll have to return one day.

Cheers!

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Peas and Carrots hand embroidered cocktail napkins

After all the pre Christmas, post Christmas and general celebrate-we're-on-Summer-holiday drinks I've been knocking back over the past month and a half, I've decided to give my liver a break and not drink alcohol for the next month, at least. The irony that I've decided that now is the perfect time to post about Cocktail napkins is not lost on me.

mineral water....


As long term blog readers will know, I have a love of embroidery. I also have a love of setting a nice table. So when the two collide, I'm in - Table Linen is my Achilles Heel. 

Marghab "Irises" margandy placemat and napkin in white on white


A company called Marghab produced probably the highest quality of hand embroidered table linen in the world. Sadly, they went out of business in 1980, but they were in operation from 1933 until that time, so that means there are pieces available on the vintage market, although it is now quite collectable and prices are high (although not when compared to new products from the likes of D Porthault etc). Here in Australia Marghab was sold by David Jones and Georges department stores, and overseas it was sold in various high end retailers throughout the US such as Neimen Marcus and Marshall Fields and some specialty stores in Europe. 

A close up of the fine embroidery, all of which was hand done.


It all originated in Madeira, an island of Portugal, where the women were highly skilled embroiderers, and the quality of the embroidery exceptional as a result. Marghab used fine quality lawn, and a product they worked with a mill in Switzerland to produce themselves, a sort of organdy fabric that was much harder wearing, despite its delicate appearance, that they called "Margandie". It's fairly transparent and a little stiff, and is used more often in the placemat sets, such as the Irises ones above. Embroiderers were paid by the stitch.

my cocktail napkins in different coloured backgrounds. I have two of the geranium sets, one in white and one in linen.


After purchasing a couple of sets of cocktail napkins on eBay for drinks or afternoon tea, my Mother in Law said she'd never seen them in this format before - she seems to think that the Cocktail napkins were not sold in Australia. She recalls Marghab being a popular choice for a wedding gift, with the guest hand towels, tray sets (placemat and two napkins for your morning breakfast tray), tablecloths placemats and matching napkins being reliably well received gifts back in the late 60's, early 70's. My Mother in Law also remembered them as being fairly expensive, however for the quality of the hand embroidery, well, I think they were likely a bargain when compared to the machine made linens that are very expensive today.

Pimms cup sitting on Sailboats

So, what is a Cocktail napkin? I hear some of my Australian readers asking... 
These are very familiar to American readers, but for some reason have never really been embraced here. They are a sort of cross between a coaster and a napkin, a small rectangular format cloth napkin that can be wrapped around a drink, or to sit a drink on top of, or to wipe fingers on after eating hors d'oeuvre.  I have been using mine for afternoon tea when serving cake or sandwiches, as well as evening drinks, and with so many different patterns on offer.. it's easy to theme and get a little carried away. 

 Geraniums are a perfect match for cabbage ware

Somehow, I seem to now have a small collection. Madeira linens in general are very good quality, so even if you're not keen on the Marghab patterns that are available, you'll find that other very high quality hand embroidered napkins and linens by other companies may have something that catches your eye in the vintage market.

So, I'm now enjoying my mineral water on one of the Fish napkins, but will return to full cocktail mode in another month's time. So, chin chin and bottoms up!

Oversize

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I was idly clicking through the "Just In" section of Matches Fashion, when I noticed a peculiar trend was starting to emerge.


I think we can blame it on Iris Apfel.

Iris loves an oversized accessory, jacket or anything else really, and her influence in fashion in the past 10 years cannot be overstated. She is the 90 plus year old darling of the fashion cognoscenti. Along with young women who are dying their hair grey, fashion designers are drawing inspiration from the proportions of a certain Older Women style

Gucci - Is it just me? I get strong Ronald McDonald vibes from this

So it's no surprise then, to see oversized sunglasses being the "thing" of the moment. Even if they're starting to get incredibly oversized, to a point where you could easily go incognito as no one can discern your face behind the frame

Karen Walker

But other items have also become curiously large.

Raey

Jumpers/ Sweaters, where you can't actually see hands poking out.

Stella McCartney

Voluminous skirts, shirts and trousers that look as if you're playing dress up in your Mother's clothes aged 4.

Saint Laurent

It's distinctively unflattering, including the jeans style I last wore circa 1999 when waists were still high, the cut was loose, and a mid wash denim was all the go.

Red Valentino

I will be avoiding all of this like the plague. Being of average, rather than supermodel, proportions I would absolutely drown in all of these things.
Attico

But then I saw something that can be worn by a women of any size or height and who has a love of accessorising. Ankle Bracelets. It appears they're a thing. A £165 thing. Sorry to inform you though that they're already pre -sold out in every colour.


I'm thinking I'm probably going to sit these looks out, although I'll watch with breathless anticipation to see if the youth of Adelaide adopt these global trends - you?

Images via the Just In section of Matches Fashion

Summer: Doing, Wearing, Cooking, Reading

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Gratuitous garden photos

Technically, it's now Autumn. But we have had several weeks of 30C plus days, and warm nights, and I always think the silliness that is deciding on a season based on a calendar date is particularly true of March in Adelaide, which I always think of as our hottest and driest month. At any rate, while the retailers have the memo, and have adorned their shop windows with coats and boots, it's definitely summer dress weather in real life. I thought I'd try to do a bit of a round up of what's been going on..

 Corner of a master ensuite. This is a double vanity unit with scalloped sconces set on the mirror.

Doing
I've been working, a lot. I haven't ever really written much about client work on the blog, but I do share images on the fly sometimes over on my Instagram.

Formal sitting room, the bookcase being painted. There is navy blue grasscloth on the walls


Back wall of the kitchen

Love the big farmhouse sink and classic lever tap

This house is a project I've been working on with my clients for the past nearly 2 years. It's now up to the bit that is exciting to photograph - all the months of drafting, dirty building site and frames and spaghetti junctions of wires is coming together and we now have the more visually exciting part of joinery, wallpaper and curtains that I can share glimpses of.

W/C with beautiful hand blocked wallpaper reflected in the mirror above the panel. We chose a lot of blue in this house to compliment the original stained glass windows

Finished bookcase with blind, wall sconce and books in. Just waiting on the cushion for the window seat.

It's a family home, and my client has been brave with her choices in colour and there's lots of wallpaper. I am so pleased with how it's all looking! We are now up to the furniture part and are waiting on a lot of orders to arrive. I'll share some photos once it's all a little more finished.

We've also finally started on our garage/ studio project at home. This is the final element of our total renovation of our house. After a very long lead up to starting, the slab was finally poured and the frame started going up, all very quickly. Hopefully within a couple of months it will all be finished, and I'll have somewhere to put all the stuff cluttering our back veranda (all the tools/ bikes/ gardening equipment) and the Sitting Room (all my work related samples etc). I'll post more about the design as it gets to the more visually interesting part, because while small it did require a lot of fiddling about to get it looking right, as well as functioning well.

Ground floor frame

I've also been working on a Beach House project, which has been fun. It's a starting from scratch job, furniture wise, and will not be a permanent house but rather a holiday house, so this changes the approach I'd normally take to a project, and I've started at one point, and ended up at another with the design as my thoughts gradually evolved on the whole thing. Firstly was that a beach house here in South Australia is very different to a Tropical beach house, of which images abound both here in Australia in our tropical North, and up through Bali and over to Florida, the Bahamas, the Dominican Republic etc. Palms, bamboo, bright coloured prints, British Colonial style etc don't really look place appropriate here- we have a Mediterranean climate and the house has native scrub nearby in sandhills. There isn't therefore very many inspiration photos to draw on as starting points. So I've just made it up as I've gone along with what has felt right to me.

Guest Bedroom scheme - Aqua bedspread, the small print for the bedhead, and leaf print for cushions

It's also very easy to go crazy with seaside theming - Navy/White stripes, Seagull pictures, mini lighthouses, coral prints, and on and on... There will naturally be a lot of seaside theming, but I wanted to pull back a little from it and not get too literal. The existing house has good bones, and generally all the finishes are perfectly fine to work with, but it is quite 'shiny' in some ways (highly polished floorboards), so it's been about taking it down a few notches to make it feel less yacht- moored- at -Monaco and more relaxed and layered.

Main living area. Matching colours too perfectly would not give the relaxed, layered feel I'm after.

The colours I'm using for the main living area are a sort of dusty Aqua and shots of red to highlight mixed in with natural linen and white linen on the sofa.  Lots of raw timber for the dining table, coffee tables etc... and I've sourced all sorts of fun things for Art for the walls...


Including this vintage 1910-1920 wool bathing suit with greek key detail, which has been framed. I posted this on Instagram and had a few questions as to where I found it... so to preempt anyone else asking, it came from Etsy.com. I've sourced decorative things/ art from all over - eBay, Etsy, 1stdibs, Bluethumb and local galleries. Decorator Art (by which I mean the ready made, ready framed prints) has a place in design, I suppose, but it can vary enormously in quality. You can find all sorts of interesting, more individual things if you're prepared to put in a little more effort in sourcing, and to think creatively about it.  It doesn't have to cost a lot either - none of the things I've found so far have.

Aside from work, it's been the start of the School year, so I've had a myriad of Parent Information Nights, Welcome Drinks, Class Drinks, Movie nights, Swimming Carnivals, a couple of trips to Hospital with  two of the children (one had a fish bone to dislodge from her throat, the other needed an appendix out, both now fine) and then a few dinners out with friends to keep the candle burning at both ends.

I've also been addicted to a Spanish mini series, called Grand Hotel (entire series on Netflix). It was first filmed in 2013, and has high production values (it's subtitled). Set in a Hotel in Spain circa 1907, it's a little bit Downton Abbey and a little bit Agatha Christie, a little bit scheming mafia family style, with a forbidden romance with a dishy male lead meaning it ticks pretty much every genre box. I loved it, and am bereft now that I've finished watching all 64 episodes (or something like that).

Grand Hotel

Wearing:
One purchase that I've absolutely LOVED this summer has been this Binny dress, which is called the Victoria. It ticks all my Summer dress boxes - cap sleeve and higher neckline to give sun protection, loose, which makes it cool on a hot day, plus comfortable to wear, and a reasonably modest length, which is essential with children as you tend to bend over a lot. It's cotton, so I can throw it in the machine and being white can bleach it when something stains it... It also walks the line between dressy and casual quite nicely. I will happily wear it on a weekend around the house with flat sandals, or with wedge espadrilles during the week to work in. I have given up trying to get anyone in the family to take a photo of me, and my efforts at a selfie didn't work out so well... so here is a photo from the Catalogue. I look exactly the same in it (ha!).

Binnywear Victoria dress - a winner

Cooking:

I started the year off well with a lot of baking for the children's lunchboxes... and have gradually slid back to no treats as the term has worn on. But I have made a bit of an effort with dinners, and trying to put a few new recipes into rotation. One thing that I cook a lot is a slow cooked lamb shoulder. This works for having friends over, or for a simple family dinner mid week. It's super quick to do the marinade in a food processor or thermomix or mortar and pestle, and then it takes around 4-6 hours to cook, which means it's a good thing to start cooking in advance.

Thursday night's dinner

Slow Baked Lamb Shoulder (Karen Martini - Feasting cookbook)
Ingredients 
2 Tbsp sea salt
8 cloves garlic
6 sprigs of rosemary, stripped and chopped
1 Tbsp black peppercorns
100ml olive oil
3 Tbsp dried Oregano
1.8-2.2kg lamb shoulder, boned (I have also done bone in)
100ml white wine vinegar

Method:
Preheat oven to 150C fan forced
Grind salt, garlic, rosemary, peppercorns in a mortar and pestle (or food processor), add the olive oil and dried oregano.
Open out shoulder and rub all over, place in baking dish, splash over the vinegar and pour 150ml water in the base. Cover with tight fitting lid and bake for 2.5 hours. Remove the lid/ or foil and then turn up heat to 200C for 5-10 minutes until nicely browned. The meat will be so tender it will fall apart, and I like to serve it with a couscous mix (parsley, lemon, roasted almonds, spanish onion)  and steamed green beans.


Reading:

The thoughts I wrote about Art above, dovetails in nicely with a book that I bought and read this weekend - Imogen Taylor's "On the Fringe". Imogen Taylor worked at Sibyl Colefax and John Fowler for 50 years, the venerable English decorating firm. Her memoir is about her time there, the projects she worked on, and how they did things post WW2. Everything was bespoke and invented by the designer, from mixing paint colours on site, to finding scraps of wallpaper or fabric and recolouring and remaking it for projects. They revived many old trades, designed lamps, furniture, carpets and rugs for projects, and in general are about as far removed from what a lot of people term Interior Decoration these days as you can imagine. Again, there is space for all types in this world - not everyone has a bespoke budget for one. But the creativity at a time when there wasn't really a design "Industry" makes this a really interesting read.


I've also added a couple of second hand books to my reading list this month. I use Abebooks to find second hand books I'm looking for, and am eagerly anticipating a copy of "Mr Blandings Builds his Dream House" in a few weeks. One Instagram account that I've been following designs Private Libraries - they specialise in out of print books revolving around Gardening, Interiors, Architecture, Food, Fashion and Biography. They are Kinsey Marabel & Co, who are located in the USA. A great source of tip offs on interesting books to buy or borrow from the library.

As I've mentioned Instagram, I thought I'd include some accounts that I've been enjoying following.

Ivy and Bricks restored house facade

Firstly, for renovation and restoration lovers there is Ivy and Bricks a beautiful, grand 1908 house in the US. It's being meticulously restored to a high standard.

The start of one of Timothy Long's short videos

I love watching Timothy Long, Fashion Curator's little mini videos on Instagram. He works in the UK in museums, and will do little videos of the garments from the store rooms behind the scenes with explanations on the detail in the clothing. Fascinating!

Jupeculotte - Pierre Balmain dress

Fashion historian and curator Jupeculotte posts interesting fashion photos from the past, with descriptions on the clothing/ designer/ fabric/ social context.

I will finish up by saying I was saddened to see this week that Bill Leake, the Australian Newspaper's Cartoonist died suddenly from a Heart Attack. The tribute they put in the paper was brilliant. He was a very clever satirist, who railed against the Politically Correct Thought Police, and naturally offended, prodded, and questioned through the age old medium of satire, as the best do. A political cartoonist from the old guard, he was clever, and thought provoking, and I can't imagine the letters to the Editor page without his funny jabs at life in modern Australia. Cartoons and Satire have long been a tradition in Western Democracies, and as we have seen with the Charlie Hebdo attacks in Paris, the cartoonists have become targets for extremism from both the far left (he was relentlessly trolled on twitter) as well as the religiously extreme of all persuasions.




I hope you had a great weekend. It's a long weekend here, and I'll leave you with a photo of sunset on Saturday night  where we were having drinks- we get spectacular sunsets in Adelaide. The CBD can just be seen poking up in the centre of the photo (this view was taken from a house in the foothills).



Garage & Studio - progress and design notes

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Blowing the cobwebs off the blog to finally post about the new garage that is currently under construction in the back garden, the final part of our house renovation. In some ways I've dragged my feet about posting on this, as I wasn't sure it would make a particularly interesting post, but there are some quirky details to this, and I thought discussing the planning process might be interesting, and helpful hopefully!

American style carriage house via

Firstly, the design. One of the features of our house that we were attracted to when we bought it 7 years ago was the fact that it had three street frontages. This meant that we had flexibility with how we wanted to lay out the various elements of the house. I suppose most people would have placed the garage up against the house to give direct access into the main living area in our extension, but I didn't want to do this for a variety of reasons.



One was that it gave too much prominence to the garage, which is a curse in modern design (for more on this, read the Architect's Bible A Pattern Language), and the second was that it would create a large blank structure that blocked light to the garden and back living areas of the house. I have seen quite a few garages given prominence in houses that cut off garden space, all for the sake of saving a few metres walk. We have our outdoor dining area and pool where a garage would possibly have gone instead, which is far nicer to look out on from our living room.

rough layout of the upper level - it's evolved a little since these development approval drawings

So, it's a short walk down to the back corner of the block where there was an existing galvanised iron shed. It was very decrepit, and every time the wind blew I worried it was going to send sheets of iron crashing into cars on the street, and neighbours houses. It was also quite enormous, containing two large shed rooms (apparently the previous owner had cut gemstones in one of them), but only a single bay carport.

The bit I never photographed for Instagram - the old brown falling down galvanised iron shed complex

The garage was reorientated to face our back boundary street which allowed for a much more efficient layout, and has made an overall smaller footprint on the site. We wanted a 3 bay garage, and then to have an upper level with a large open plan space for me to work in, and a small kitchenette and ensuite bathroom. This would have an entry door from the street, and another entry from the garage. It will provide a lot of flexibility in the future - if not used to work out of, it could be used for a teenaged University student to live in, guest accomodation, a place for an au pair, a home gym etc etc.

Stable Block in East Melbourne via

So the tricky part was fitting in all the wants, and making it look right. Really, the only comparable examples I could find were in the US, where many people seem to have living areas over garages, or have separate coach houses. But plonking an American style carriage house in Australia wouldn't look right, so I decided to use the old Australian city vernacular of the stable block as inspiration, an example of which is above.
third street, non symmetrical elevation


To tie it in with our existing side wall, I decided to continue the wall at the base of the new garage and wrap it around the laneway so that it didn't look like an afterthought (it will also have creepers growing up it like the rest of the wall). The rest of the structure is rendered in the same render we used on the back extension of the house to tie it in with that (grey venetian plaster with an ashlar block imprint). By having a wall with the studio above it it breaks down the scale a little, which should also make it less imposing from the street.

This is technically a two storey building, but we had to (council regulations) fit in the studio level mostly under the roof line so that it didn't dominate the streetscape and to make it the height of a single story structure, as are all the buildings in our street are.

studio loft windows, mine won't look like this sadly...via

The gable on the main street elevation therefore had to be lower than the gable on our neighbours house across from us on the secondary street, and not be much taller than the neighbour across our streets garage (they have a similar thing with three street frontages, and their garage is approximately 1m shorter than ours). So to get enough head height in and fit in windows, I decided to do a sort of New York/ Parisian Studio feel by wrapping the windows from the walls up and onto the roof using sky windows (Velux).

more sky windows via

I also spent some time working out with the Engineer a method of making the floor space between the garage level on the ground floor and the studio level as thin as possible to maximise head height in the upper level, and keep the number of stairs required to a minimum (as the stairs were becoming difficult to fit in with the head height issue at the top).

Fitting in all the "wants" on this design was tricky, and one of the first things that had to go was a perfect, symmetrical garage facade with matching garage doors.

Symmetrical garage facade by Howard Design Studio via

Due to having the stairs running against the second street side, the garage door was going to have to be offset to allow for the width of the staircase. Doing three garage doors symmetrically like all the photos I liked just didn't work. I also tend to err on the side of practicality, and doing one very large door, and one smaller was going to be much more practical than three small doors that we'd have to squeeze into at any rate.


So, with the lack of symmetry this threw up came the problem of how to place the windows on the upper level.  In the end after fiddling around with different placements, I decided to bank them into a 3 bay window and centre it over the largest garage door.

Current window situation in progress 

 current exterior corner view with partial street closure and scaffolding

The only other design point to note is the entry point between the garage and our back garden. We do not have any access into the property now through side fences. If for some reason we needed to get a digger in (say, a major plumbing problem), then it wouldn't be possible. The solution to this was to have a Jack and Jill door, which means we have a single large garage door which will be kept shut most of the time, and a standard width door which will give pedestrian access for us in and out of the garage.


Studio upstairs in frame stage

So, enough of the boring practical design talk. The interior is going to be fitted out fairly simply. I'm planning on doing a white beadboard IKEA kitchenette, which will have just a basic sink/ bar fridge set up (I've seen full kitchens done in this sort of accomodation and they never get used), and the ensuite will be tiled in a matte white large format tile, the floors a mid mottled matte grey - modern, classic and simple.

At the top of what will be the staircase

The walls will be painted and floors will be covered with fitted Sisal. I have purchased a wall light for the entry from Restoration Hardware, and have 3 pendant lights for the upper area from Early Settler/ Recollections.


The space has an additional store room on the upper level which I am SO looking forward to - at present every time I take delivery of fabric, light fittings, wallpaper or furniture for clients it's been stored in my formal sitting room... which is looking junkier and junkier. Having a dedicated space for this will be positively luxurious.

So that's about it. We're nearly finished with the exterior. The rendering commences this week, and then the garage doors will go in. Interior plastering will start in about another two weeks and the stairs will arrive then too. I think it will probably be about another 8 weeks to go until it's all done and dusted, but fortunately we've got the roof on and walls up before we hit Winter weather delays.
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